KASHMIR IN MY HEART

Its about the plight of my kashmir...my motherland

About Me

Ghaziabad, Uttar Pradesh, India
Pandit Chaman Lal Gadoo Co-Chairman, JOINT HUMAN RIGHTS COMMITTEE Chairman, VIDYA GAURI GADOO RESEARCH CENTRE Email: cl.gadoo@gmail.com Blog: clgadoo.blogspot.com

Monday, August 20, 2012

LONDON KP SUMMIT

ACHARYA ABHINAVAGUPTA--SHANKARA OF KASHMIR


            ACHARYA    ABHINAVAGUPTA--------SHANKARA  OF  KASHMIR     

Abhinavagupta was a distinguished Shaiva saint philosopher, a great intellectual scholar, writer and a teacher. He was one of the most outstanding Acharyas of the Monistic Shaivism and was one of the best authorities on Kashmir Shaivism and various branches of Sanskrit literature.

 Abhinavagupta mentions that his earliest ancestor, Atrigupta, a learned Brahmin, lived in Autarvedi (modern U.P) and migrated to Kashmir at the instance of King Lalitaditya Mukhtapida   ( 725 – 761 AD).The king ordered a house to be built on the bank of Vitasta (Jhelum), opposite the temple of Sitamsumalin (Shiva having the moon as his crest)) for Atrigupta to settle there permanently and a big Jagir was granted to him for maintenance. Many generations after him, one of his descendants, Varahagupta, and his son, Narasimhagupta, alias Cukhulaka, were great scholars of Shaiva philosophy. Cukhulaka, means devotee of Shaiva. He was also a great Shaiva teacher. His wife, Vimalakala, was a pious and religious lady. Abhinavagupta was born to this couple.   His exact date of birth is not known but we learn from references about him in his works Tantraloka and Paratrimshika Vivarana that he was born between 950 and 960 AD. Surprisingly, Pandit Kalhan is silent about Abhinavagupta in his immortal classic Rajatarangini.  

 
 Dr. K.C. Pandey states that being born of such spiritually high personages, Abhinavagupta was peculiarly qualified to compose a work containing a summary of all the Agama works on Trika- Shastra. He was a born Yogin, a devotee of Lord Shiva and led a celibate life. Among his great relatives Abhinavagupta makes a special mention of his father's maternal grandfather, Yasoraja, a man of great learning. One significant statement that he makes is that Yasoraja wrote a commentary on Paratrinshika for the benefit of his younger brother Monorathgupta, a Brahmin named Karna, son of Vallabha, a Minister of King Yashaskara of Kashmir, and one Ramadeva, who was proficient in grammar, Tarka and Mimansa.

The great Acharya sat at the feet of many teachers for the traditional and authoritative knowledge. Such was his humility and devotion that these teachers imparted to him all the learning they possessed. Madhuraja, a devotee of Abhinavagupta, writes that,” Lord Shree-Kantha-Nath Shiva Himself appeared in Kashmir in the form of Abhinavagupta to enlighten the people”. Madhuraja also asserts that Abhinavagupta was, in fact, the incarnation of Bhairava-Nath Shiva .The celebrated author of Kavya Prakash, Rajanaka Mammatta calls him the Shankaracharya of Kashmir. His command over rhetoric’s was so enthralling that Mammatta--  the reputed author of 'Kavya Prakash' out of veneration for his erudition in the subject refers to him as "Abhinavagupta Pada ". Pada is added to the names to show great respect. Vamana the propounder of Riti school in Indian Rhetoric’s and commentator of 'Kavya Prakasha' known as "Bala Bodhini" has alluded to Abhinavagupta as 'an intellectual giant and like a serpent (Sesa)   to his young school - fellows." So Abhinavagupta would mean ’a new incarnation of Sesa’.  Yograja says that Abhinavagupta had attained the stage of oneness with Mahesvara i,e. the stage of Bhairva, which is the same as ‘Jivanmukta’ in Vedic lore. Abhinavagupta has been extolled as "Mahamahesvara" by the subsequent Kashmiri authors, his disciples and admirers, which precisely means the "great devotee of Siva", or the "Supreme - Self" in Shaivistic parlance. Kashmiri tradition also is unequivocal in testifying to his versatility. Kashmiri Pandits believe that Abhinavagupta was Bhairva incarnate.  

Swami Lakshman Joo explains that Kashmir Shaivism, is also called Trika philosophy. Trika means threefold science of man and his world. This Trika contains the science of individual, the energy and the universal. The purpose of Trika is to show how an individual rises to the state of universal through energy. The Trika philosophy is classified by Abhinavagupta in four systems, which are Krama system, Spanda system, Kula system and Pratyabijnya system.

   Abhinavagupta says that Krama deals with space and time. He explains that actually there is no space. When one deals with forms, the space appears. When one is established in formless state of being, for him there is no space. In the same way when there is something to be done then only the existence of time shines and when you have nothing to do, then time has no existence.

Explaining the Spanda system, Abhinavagupta says that it is that movement which actually is no movement. Spanda makes us realize that whatever is in movement actually is established in unmoved point. So although everything seems moving actually it is not moving at all.

As for the Kula system, he says that Kula means the Science of Totality. In each and every part of the universe totality shines - throughout. Take a small part of any object. In that part you will see the universal energy existing.

The Pratyabijnya system deals with the school of recognition. Abhinavagupta, while explaining this school of recognition, says; at the time of God-realization nothing new is realized; on the contrary, the Yogi feels that this state of God-consciousness which he was experiencing was already known to him. In this school of recognition, Abhinavagupta says, the state of God-consciousness is already there. He comes to the conclusion that in this universe you have to see and realize the Kingdom of God- consciousness only everywhere and nothing else.

Kashmir Shaivism was developed in the light of monism by great thinkers such as Somananda, Kallata, Utpala, Abhinavagupta and Khsemraja. Somananda, the author of Sivadristi who flourished towards the close of the 9th Century A.D., has been described as the founder of the Pratyabhijnya system; Utpaladeva, the author of Isvara Pratyabhijnya Sutras or Karikas, who lived about 900-950 A.D., is regarded as the organizer of this system; and Abhinavagupta, the author of the two commentaries, Laghvi-Vimarsini and Brahati- Vimarsini and also Tantraloka, is known as the expounder and commentator of Kashmir Shaivism. His main contribution has been to the Shaiva Monism of Kashmir (Sivadvaya-darsana) of which he was declared to be an Acharya. In the interpretation of Rasasutra, Abhinavagupta followed the theory of Dhavni or suggestions propounded by Anandavardhana but also accepted the concept of Sadharanikarana or universalization from Bhattanayaka. Prof.P.V.Kane maintains;” his two works, i.e. Lochan and Abhinav Bharati are monuments of learning, critical insight, literary grace and style.”   The later teachers who flourished between 1200 and 1800 A.D included Kshemaraja, Yogaraja, Jayaratha, Sivopadyaya and Bhaskaracharya.

Abhinavagupta attained spiritual greatness before he started writing his works like Tantraloka. It is considered one of most important works on spirituality, philosophy and rituals of Kashmir Shaivism.  According to him the pleasure one derives out of a real work of art is no less than divine pleasure. As one has to constantly struggle and detach oneself to reach the Almighty, similarly a true connoisseur of arts has to learn to detach the work from its surroundings and happenings and view it independently, e.g. the feeling that might bring pain in real life is capable of causing pleasure in an art form.

Many works have been attributed to Abhinavagupta though only a few are extant. Some of the works of his authorship are:(1) Bhairava Stotra; (2) Malinivijaya Vartika (3) Bharata Natya Shastra-Tika; (4)Dwanmalokalochana; (5) Natyalochana; (6) Purva-Panchika; (7) Gitartha Sangraha; (8) Bodha Pancha Dashika; (9) Paramartha Charcha; (10) Dehastha Devatachakra Stotra; (11) Paratrimshike Vivarana; (12) Paratrimshika Lagu Vitti; (13) Krama Stotra; (14) Ishwara Pratyabijnya-Vimarshini; (15) Ishwar Pratyabijnya Vivriti Vimarshini; (16) Paramartha Sara; (17) Tantraloka; (18) Tantra Sara, (19) Tantra Vatadhanika (20)  Devi Stotra Vivarna etc.

Abhinavagupta wrote a commentary on Bhagwat Gita, as well. Besides these, he wrote many other works, in all forty works are written by him.  There is traditional belief, among Kashmiri Pandits, that Abhinavagupta had written a commentary on Yoga Vasistha. However, at present Isvara Prathyabhijna Vimarsini is taken his last work.

The Shakht and Shiva Darshan are rooted in the Vedic tradition. The recognition of the basic unity of universal existence is fundamentally Vedic. Abhinavagupta, the greatest of the exponents

of Shaiva Darshan, whose, “philosophical and spiritual attainments were so high, that he was regarded Acharya of all Shaiva schools, such as Siddhanta, Vama, Yamala, Bhairva, Kula, Trika and Ekavira, ” recognized the basic unity underlying the Hindu religious philosophy, of which Shaiva Darshan formed an integral part.

Abhinavagupta,(about 1020 AD) left his mortal frames along with hundreds of his disciples(1200) ”when he entered the sacred cave at Bheerwah and disappeared. While entering the cave, he recited verses from the Bhairva Stotra”. The Bhairva Stotra of Abhinavaguta, reveals the Advaitic truth, which forms the foundation of the Shiva Darshan. The English translation of the verses is given below; 

1.        “Having become one with Thee, I adore you in the heart of my heart. You are the first cause, of projection, sustence and dissolution of the Universe and the protector of the destitute; everything sentient and un-sentient stands pervaded by you; you are one with the self, one and only one without beginning and end;        

2.        By virtue of the power of your grace, I experience whole of this universe as one with Thee, and since you are always everyday of mine, whole of the (Universe) is nothing but myself;   

3.        Despite the fact that the forces of the agents of ‘Karma’ which are extremely terrifying, delusory and very difficult to resist are at work, there is no question of getting over-awed by them in the world, for mine own self, Thine own self and the world have gained concurrence.

4.        O, Ye, God of death! Don’t cast your terrifying glance on me. By serving and remembering Lord Shiva, I have verily become the embodiment of the powers of the Bhairava.  

5.        All pervading darkness of ignorance is cut as under by the rays of your knowledge which is well-developed and verily one with you. O Ye! the destroyer of death and the God of death, I bow to Thee, I am not at all frightened by the malevolent spirits of Karma.                                                                           

6.        The rays of the truth and awareness have risen and pervaded all the categories and elements of this Universe. I have gained repose of senses by depending on the (divine) nector of Thine transcendentality.

7.        O Lord ! When my mind falls a victim to such affliction as cause awful pain to my body, I being one with you, a shower of transcendental nector in the form of hymns comes into being (which destroys the pangs of pain). 

8.        O Shankara ! It is true by observing fasts, giving charity and practicing austerity, afflictions are destroyed. But by concentrating on the supreme nector of your philosophy, a soothing stream flows in my mind.

9.        After having attained your absolute glorified beauty--- a stage attained with great difficulty---- my awareness joyfully dances, sings and feels blissful.   

The Bhairav Stotra, unfolds the secret of Atam-Janana, the conscious realization of the communion between the man and Paramatma. Abhinavaguta, gave expression to the Vedic truth, Lord Krishna, revealed to Arjuna in the Mahabharta war. Svetasvatara Upnishad says;” He Who at the beginning of creation projected Brahma (the Creator, the primal Universal Consciousness),

and Who delivered unto Him the Vedas, seeking liberation, I go for refuge into that  Effulgent One, whose light turns the Understanding towards the (infinite) Atman.”

According to G.T.Deshpande, the absolute Monistic thought of India flowed through two currents, namely the Advaita Vedanta of Shankara and Shaiva Darsana of Abhinavagupta. One started from Nigma (Veda) and the other from Agama. But ultimately they met in the same point, in the form of realization of the Absolute as one. Abhinavagupta’s place among the expounders of Monistic Shaivism is the same as that of Sri Shankaracharya in expounding the Advaita Vedanta. For Shaiva in Kashmir, he is the final authority in the matter of Shaiva thought and ritual and is rightly known as Shankara of Kashmir!                                                         

Prof. K.N.Dhar concludes;” this Kashmiri philosopher weaning philosophy away from the mire of impracticability lives up to his name Abhinava. New from all angles, and his thought-provoking treatises breathe an air of ravishing freshness, even after a lapse of more than ten centuries.”

                                                                                                        

Tuesday, January 10, 2012

    SANSKRIT   CIVILIZATION   OF   ANCIENT   KASHMIR    

European scholars searched for histories of India, from eighteenth century onwards, but could not find any that conformed to the familiar European view of what a history should be. The only exception, according to them, is history of Kashmir-Rajatarangini, written by  Pandit Kalhana, a Kashmiri, in Sanskrit during 1149A.D.Rajatarangini-river of kings, is about dynasties of kings, culture, people and about Hindu civilization of India. Kalhana is often described as India’s first historian. Kalhana consulted at least eleven Sanskrit compositions on the history of Kashmir, like Nilmat Purana, Kshemendra’s Nrapavli, chronicles of Padmamihira and Chavillakaran etc. while writing his own. These do not exist today, barring Nilmat Purana. The Mahatamayas of Kashmir are sources of early historical geography and describe the topography of the valley, also the various places of pilgrimage.



Pandit Kalhana begins writing Rajatarangini with an account of king Gonanda I, who took part in Mahabharata war and was killed. Mahabharata runs around 100,000 stanzas, probably the longest book in the world and goes back around 3000 BC. By popular tradition, the Kali Age started with the death of Sri Krishna, 35 years after the War. The Kali calendar has a beginning of 3102 BC; therefore it is thought that the Mahabharata War took place in 3137 BC.



 The two great Indian epics--- Ramayana and Mahabharata written in Sanskrit, speak volumes of histories of ancient kings, their dynasties, their kingdoms, wars they have fought, about people, their lands, culture and religion. Ramayana and Mahabharata are not only epics but are historical traditions in the epic form. The planetary positions narrated by Maharishi Valmiki in Ramayana, at different events in Sri Ram’s life, have stood the test of the times. Indian history has recorded that Sri Ram, born in 5114BC, belonged to the Suryavansh and he was the 64th ruler of Ayodhya of his dynasty. Professor Subash Kak of Lousiana University in his book,’ The Astronomical Code of the Rig Veda’ has listed 63 ancestors of Sri Ram, King Dashratha, King Aja, King Raghu, King Dilip and their predecessors.



 The oldest records were not written on parchment or inscribed on stone, they were written in the memory of people, who handed down the precious heritage from generation to generation. The most vital part of Indian history is the race memory of the Hindu society, which gave birth to great treasure of ancient Sanskrit literature in the form of Vedas, Upanishads, Puranas, full of spirituality and ancient wisdom. The earliest scriptures of Aryans are Vedas and Upanishads known as Sruti. Later scriptures are collectively known as Smrtis. Thomas Berry, a historian of cultures, made following remark about the Vedic heritage-- “In quality, in quantity, in significance for man’s intellectual, cultural and spiritual life, this literature in totality is unsurpassed among all other literary traditions of the world.”  



The Sanskrit civilization constitutes the great heritage of our country. It flourished mainly on the banks of great rivers, in different regions by socio-religious and cultural bonds. It was on the banks of the lost sacred river Saraswati, that the Vedic seers perceived the hymns of the Vedas, in Sanskrit. Similarly, the Vedic culture spread over the banks of Indus and Vitasta rivers and it became integral part of Aryan culture.  Sanskrit is the richest and most ancient language. Sanskrit language is the root of Indian culture. While speaking to the Asiatic Society in Kolkata on February 2, 1786, Sir William Jones made a statement;“…the  Sanskrit language, whatever is its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and in the forms of grammar, than could possibly have been produced by accident; so strong, indeed, that no philosopher could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists”.



An early name belonging to Kashmir is Bharata Muni of the Natyashastra. The Natyashastra has a total of 36 chapters and it is suggested that this number may have been deliberately chosen to conform to the theory of 36 tattvas which is a part of the Shaivite system of Kashmir. The bhana, a one-actor play described by Bharata is still performed in Kashmir by groups called bhand pather (bhana patra, in Sanskrit).Some scholars and historians, record that Kalidasa, the celebrated Sanskrit poet-dramatist had his roots in Kashmir. In fact, Kashmiri scholars, writers and poets have made highly significant contributions to classical Sanskrit literature and religious thought. The dedication of Kashmiris to Shiva and his powers in their prose and poetic writings is a golden chapter in Sanskrit literature. The Shiva  philosophy of Kashmir, also known as Trika Shastra, flourished in South India,and achieved an identity of its own. There are Sanskrit texts relating to Tantra, Kundalini Yoga, and Shaivism by Kashmiri scholars. Among the sages who propounded the Kashmir Shiva philosophy, the names of Vasugupta, Somananda, Bhtta Kallata, Utpal Dev and Abhinav-Guta, stand out as celebrated exponents. Both Vaishnava Agamas and Shiva Agamas have their source in Kashmir. So far as Sanskrit literature is concerned apart from Alankara Sastra in which Kashmirians seem to have excelled, the names of Somadeva, Kshemendra, Bilhana , Damodaragupta, and Kalhana stand out as a brilliant galaxy of genius adding lustre to the history of Sanskrit literature Kshemendra's   contribution to Sanskrit literature is unique in one respect. He introduced humor with social satire. According to Bhartrihari and other early scholars, Patanjali ,a Kashmiri, made great contributions to Yoga (the yoga-sutras) and to Ayurveda.



Kashmir has been on the threshold of foreign invaders, who not only destroyed most of its history but also adultered the culture and social values from time to time.Buddhism, Shaivism and Sanskrit learning flourished in the valley and produced a remarkably rich culture till the Muslim conquest in 14th century, overturned the social structure of Kashmir. Kashmiri scholars not only contributed original Sanskrit texts to Sarvastivadin schools of Buddhism but also to the development of Mahayana Philosophy.  One of the most remarkable books that Kshemendra, who was himself a Shaivaite, produced was on the Avadanas of the Buddha, a classic in later Buddhist literature.



Jonaraja’s Rajatarangini (1420—70), brought chronicle to the reign of Sultan Zainul-ab-din. Greater part of his chronicle deals with Hindu rulers from Jayasimha to Kota Rani. His pupil Srivara wrote four chapters about the events from 1459-1486AD. The fourth and last Sanskrit chronicle entitled Rajavalipataka, began by Prajyabhatta wrote till 1513-14 AD, and was completed by his pupil Suka, some years after annexation of Kashmir by Akbar in 1586AD.Narayan Koul Ajiz, wrote Twarikh-i-Kashmir in 1710AD, about reigns of Sultans and early Mughals. Pandit Birbal Kachuru wrote history of Kashmir in 1835, when Kashmir was under Maharaja Ranjit Singh, 1819-46AD. He wrote history of Kashmir under Mughal and Afghan rulers. In 1846AD, the valley came under Dogra rule. It was from this time onwards that scientific survey was conducted by archaeological experts using modern scientific tools regarding geography, history, and composition of its people. Archaeological discoveries have given new definitions about the history of Kashmir, its origin, people and ancient civilization.   



The legends indicate that Kashmir was once a vast lake known as Sati-Saras, the Lake of Sati. The lacustrine or lake deposits locally known as Karewas, spread all over the valley, substantiate this fact of history. According to a tradition the drainer of this lake was Rishi Kashyap, hence this land was called Kashyap-pur or Kashyap-mar and latter Kashmir. On the basis of scientific observations, Frederic Drew, a famous geologist, wrote,”The traditions of the natives---traditions that can be historically traced as having existed for ages---tend in the same direction, and these have usually been considered to corroborate the conclusions drawn from the observed phenomena.”



The Karewa formation occupies nearly half the area of the valley. Neolithic man settled on these Karewas, or Udhars in Kashmiri. Geologically, the Karewas provided natural settlements for earliest Kashmiris, as forests for hunt and lakes for fishing and fowling were in immediate vicinity. Neolithic period was followed by Megalithic period. This period is indicated by the erection of menhirs which are huge standing stones. The history of the development of human culture in Kashmir starts from hunting culture. Even as hunter the earliest form of religion was developed. The worship of rain-god, sun-god and Vedic fire-god, were earliest form of religion which were followed by Mother- Goddess, Shiva worship and by other Vedic gods.   



The extensive excavation conducted at Burzahom was the first of its kind in Jammu and Kashmir on the basis of stratified cultural deposits. Burzahom karewa is about 25km. north of Srinagar and about 3km. from Telbal Nala. It is a megalithic site situated on the   Yendrahom Karewa (table land) revealed that earliest settlers were pit-dwellers. The dwelling pits generally had a central post to support the roof. The pit chambers also showed partitions.  Burzahom in Kashmiri means the place of birch, which was available during Neolithic times, is proved by burnt birch found during the excavations. Apart from the stone tools found at site, there were bone tools also. Twenty four soil samples from different levels of the Neolithic period were got examined and the plant remains so recovered belonged to the ancient crop of wheat, barely and lentil. The tools needed for digging, planting and thrashing of crops were found. Tools for hunting, bow and arrow were found. A stone slab bearing the hunting scene was also found.                          



“The stone slab obtained from Burzaham is rectangular in shape. Most of the stone slabs were plane without any engravings. Among dozens of such slabs, only two bore the engravings. Even among the two, only one slab with a base width of 70 cm portrayed the most impressive expression of art in relation to Neolithic settlements. The engraved portion is divided into two parts. The top  part  shows  an  animal  on  the  right  and  on  the  left  are  depicted  two  suns,  one complete with  sixteen radiating lines and the other one is slightly damaged. it seems that picture depicts the hunting scene but it is postulated that this is not  a  terrestrial  hunting  scene  but  represents  actually  a  sky map  giving  location  of prominent  constellations  and  the  moon  on  that  day  during  which  Supernova  was observed (Joglekar et.al 2006).One of the hunters on the figure is same as Orion, the central animal is same as the Taurus. The hunter on the right may have been formed from stars of Cletus and the other animal on the right may be Andromeda and Pegasus. The  position  of  Supernova's  (HB9'S)  is  indicated  by  a  spot  in  the  upper  part  of  the picture and moon's position in the carving is indicated by a bigger spot at the centre of the picture. The long curved line in the carving, traditionally interpreted as spear, may be an arc of bright stars. Also the location of HB9 fits perfectly with the left object in the  picture, with  a  supernova  of  -9.6 magnitudes  in  the  close  vicinity.  It  is  already assumed  that  the  figure  on  the  left  is  Orion  and  to  check  this  relative  distances  of various star locations in the figure were measured with the angular separation of stars in the sky. The fitting of these various stars to different points in the figure is reasonably accurate with some error (Joglekar et.al 2006).These predictions reasonably assume tobe an astronomical event which has taken place some 5,000 YB. The event is assumed to be a Supernova (Joglekar et.al 2006).” This is extract from a research paper of (Dept. of Physics) Kashmir University.



 Hand made pottery in crude form also was dug out at Burzhom. A pot with 950 beads was fond in a pit, sealed by a hard layer of mud. Some of the beads have parallels in Harappan beads. There are other common features in Harappan ivory combs and other objects found in Kashmir. Also cult objects found in Semthan (Kashmir) are similar to those found in Moenjodara. In their book ‘Moenjodaro: a 5000 year old legacy’ by K.H. Shaikh and S. M. Ashfaque, Department of Archaeology and Museums(Pakistan) write; “The cult objects show little change from Kot Dijian elements and include the motif of peepal leaves (Sanskrit asvattha or niagrodha. ficus religiosa), fishes and fish-scale patterns, swastikas, hatched circles, rhombs, wavy lines and other geometrical patterns. A large variety of ‘mother goddesses’, phallic symbolism, tree spirits, and a homed deity recognized as ‘proto-Siva’.“



“The radiocarbon evidence suggests movement and development of the Neolithic

Culture in the Kashmir valley. It seems that central Asian neolithic tradition entered the

Kashmir valley in the second half of the fourth millennium BCE when the Neolithic

Settlers occupied the western part of the valley around Kanishkapura and then moved

towards central Kashmir as the dates from Burzahom indicate the occupation around

2881 BCE onwards. The neolithic settlements occupied further south-eastern part of

Kashmir in about 2347 BCE onwards around Gufkral. It was during this phase when

chalcolithic contacts might have developed between the neolithic settlements of Kashmir

in North and Harappan civilization in the Punjab-Haryana region in South which is

indicated by the co-existing Harappan settlement at Manda (Akhnur) in Jammu on the

right bank of the Chenab and Malpur, a Neolithic site partly excavated during 1994–96,

located very close to the former, but on the left bank of the Chenab.” Extract from a research paper on Kanishkpura by Archaeological Survey of India (1998-99).



The most important evidence of skeletal remains of Neolithlc man from Kashmir and the Harappans bring out that they belong to the same stock. The earliest results which radio carbon dates indicate are before 2357BC.In the exhaustive report submitted by the Anthropological Survey of India, which was published in the form of book ‘Human Remains of Burzhom’ . The authors are of the view,” We are inclined to assert that Burzhom crania are closer to Harappa R37 crania than to Neolithic crania of southern India. The skeletal evidence points towards ethnic affinity between Harappa and Burzhom series and suggests ethnic continuity, in spite of cultural differences”.

Structural remains at the both sites of Burzhom and Gufkral during the megalithic period are marked by rubble stone constructions, a change from earlier Neolithic level. A new wave of installing menhirs at community functions have been seen densely distributed in the valley.



The Saraswati-Indus-Vitasta cultural tradition represents the begging of the Indian Civilization. This tradition has been traced back to about 7000BC. In the remains that have been uncovered in Mehrgarh and other sites. Its first phase was during the Harappan period of 2600-1900BC.Harappan culture had extended to Lothal in district Ahmedabad.  The first Harappan cemetery was excavated at Rupar (Haryana) and second at Bara (Gujarat). Indian Archaeology produced further remnants of Harappan culture including steatite seals with the typical Indus script and motifs during excavation at Lothal during 1955.The Indus-Saraswati Valley Civilizations spread over more than 250,000 square miles, and included over1600 sites. Most of the villages and cities were laid out on an exact north-south grid on sites west of the river, and were built with kiln-fired brick of uniform size. Sites have been found dating from 6,500-7,000 BC Systematic town planning was also brought to light. Its inhabitants followed the same tradition of town planning and public hygiene for which the Harappans are famous. The ancient architectural system of Sthapatya Veda prescribes detailed principles of construction of homes and cities. One of the main principles of Sthapatya Veda is that cities be laid out on an exact north-south grid, with all houses facing due east. Another is that the buildings be oriented to the east with a slope to the east and any body of water on the east. Most of the cities of the Saraswati and Indus valley followed these principles exactly.



Professor Renfrew argues, there is no internal evidence from the ancient Vedic literature that Vedic civilization originated outside India. The verses of the Rig Veda, the most ancient songs of Vedic tradition, detail many aspects of daily life of the people. There is no hint in this vast literature of a migration or of a history that lies in a homeland beyond the mountains of northern India. All evidence from archeology, anthropology, and Vedic literature indicate that Vedic civilization was indigenous to northern India. Geological data now explains the demise of the Indus and Saraswati valley civilizations in terms of climactic change, bringing an end to the outside invasion theory.



 There has been no Aryan-Dravidian divide as perpetrated by some historians. Dravidians

and Aryans, even a little physically different in appearance, are not different racial people in blood group or other genetics of importance. Rishi Agastya, a South Indian seer, is the reputed author of several hymns of Rig Veda. Adi Sankaracharya is the chief exponent of Advaita philosophy of Vedanta. Dark skinned Sri Krishna is worshipped most by Hindus across whole of India.



 The Vedic civilization of the legendry river Saraswati flourished in the close vicinity of Kashmir. There is little doubt left now about the historicity of the Saraswat people. Geological evidence has come to surface which establishes beyond doubt that the river Saraswati flowed down from the Himalayas in a north-westernly course, to Rann of Kutch. Archaeological excavation along the course of the ancient river has revealed sterling facts about the civilizational linkages between the Harappan and the Saraswat people. David Frawley, a leading US Indologist has reported, that a Committee of geologists, historians, geographers and other experts appointed by Government of India, under the chairmanship of Dr. V.S.Watankar, conducted a survey of 150 archaeological sites, over a stretch of 3500 kilometers along the course of the river Saraswati. They used latest techniques such as Multi-Spectral Scanner (MSS) and land sat imagery. The Committee concluded that the river Saraswati dried up gradually between 1800 BC and 800 BC due to tectonic movements which caused change in the course of river Satluj. The Committee discredited the theory of Aryan invasion of India and rejected the sociological divide between the pre-Aryan India and the Vedic India of the Aryan origin. It refused to recognize that the Harappan and Mohenjodara cultures represent the pre-Aryan, Indus Valley Civilization. The Committee concluded that the discovery of the dried channel of the river Saraswati, east of river Indus and the location of more than 260 archaeological sites which showed civilizational similarities to Harappan and Mohenjodara cultures provided evidence of the historical continuity of the Sind Valley Civilization and the early Vedic civilization of India.                 



From very ancient Mesolithic implements discovered in the valley of ‘Sohaan’ river (District Rawalpindi), in the Valley of Baanganga  (near Kangra), in Pahalgam (Kashmir), in Peshawar and in Dholbaha (District Hoshiarpur), some historians conclude that Punjab may have been the home of the first humans born on this earth.



The Neelmat period, which commenced with the induction of the Calcolithic tools or metals into Kashmir, most probably from the surrounding Sind Valley civilization, indicates a cultural change, which was not dictated by any race movement. The people living in Kashmir, from the time of the Neolithic age of Burzhom, have been of a single racial stock. The Nagas and Pisachas were also people of the proto-Aryan racial origin.  There is hardly any anthropological evidence to prove that ancient people of Kashmir were racially of a different stock than the people inhabiting the Burzhom settlements.

Evidence is also available of the close contact between the people of the Saraswati civilization and people of Kashmir which flourished along the river Vitasta (Jehlum).

The Mahatamayas are an eloquent testimony of basic unity that permeates the religious culture of the Hindus of Kashmir and the Sanskrit culture of the Hindu India. The most interesting aspect of the Mahatamayas is that they represent the quest of the Hindus of Kashmir to recreate a universe of spiritual experience, which is Sanskrit in outlook and composition. The Mahatamaya reveal a continuity of the Harappan, Burzahom and Saraswat cultures. This is an indicator that Nilmat, while keeping the Nagas in view has (mentioned) specific rituals connected with the Gods and Goddesses, who manifested specifically in Bharatvarsha and Aryas. 



Nilmat era of the Hindu history of Kashmir followed the disappearance of the river Saraswati. Nilmat Purana narrates; “sixty five rituals and festivals, were celebrated with great devotion, faith, pomp and show. Some of the rituals and festivals find mention in other Puranas also. Some of these are celebrated even today in Kashmir, like Kaw Poonim and Yaksha Mavas (Kechi Mavas). It is generally thought that the Purana talks of rituals and festivals of Nagas only, and these being adopted by Aryan Saraswat Brahmins of Kashmir, which is not so. Many of the rituals, festivals and days are common with those followed by Aryans in Bharatvarsha or emanating from Vedas.”

 The ritual culture of the people of Kashmir grew from its Burzahom past and is, therefore, formed of several sediments; the basic sediments have their origin in the ritual structure of the Burzahom people and the people of Kashmir who lived through the Neelmat period. The Vedic Grah-Sutras and Kalpa- Sutras were adopted for the Kashmiri Pandits, by Laugaksha Muni, a great sage, sometime in the first millennium B.C. Before the adaptation of Sanskrit scriptures, Kashmiri Pandits had already a highly evolved and intricate ritual structure, which symbolized their proto-Aryan origin. A part of the pre-Laugaksha ritual was integrated into the Laugaksha adaptation. The rest lingered on and survived and in due course of time became a part of the religious culture Kashmir. These rituals are still extant, and preserved and practised by the Kashmiri Pandits even now. A vast number of rituals are practiced by Kashmiri Pundits, in their birth, death and marriage.  There are numerous rituals, traditions and festivals of proto-Vedic origin which the Kashmiri Pandits follow. There are Vedic, Shaivite, Vaishnavite and Shakta religious performances in Kashmir, but Vedic ceremonies play prominent part. In performances of Shradha rites, the Vedic deities receive worship through fire, Shaivite through phallic emblem of cooked rice and Shakta through a lamp. Rituals have a phenomenal identity and theological content. On the marriage or Yajnopavit ceremonies of Kashmiri Pandits, ladies sing Kashmiri songs in Vedic accentuation even now. Kashmiris are singing people, even in exile; they sing the glory of their sacred land. Their songs are full of love, beauty, freshness and with fragrance of our fascinating valley.

The Vedic civilization of Kashmir is represented by the rich geological, historical and literary contestations. These are interwoven and deeply interacted in the deep socio
cultural identity of the people and ancient civilization of Kashmir.