KASHMIR IN MY HEART

Its about the plight of my kashmir...my motherland

About Me

Ghaziabad, Uttar Pradesh, India
Pandit Chaman Lal Gadoo Co-Chairman, JOINT HUMAN RIGHTS COMMITTEE Chairman, VIDYA GAURI GADOO RESEARCH CENTRE Email: cl.gadoo@gmail.com Blog: clgadoo.blogspot.com

Monday, August 10, 2026

HISTORY OF EARLY HINDUISM

An arc of ancient Kashmir; Guryul Ravine, Burzahom “Who knows whence this creation had its origin? He, whether He fashioned it or whether He did not, He, who surveys it all from the highest heaven, He knows—or maybe even He does not know.” — Rig Veda, X.129 1 The Vedic Seers pondered over the universe’s beginnings long back, today’s scientists and philosophers grapple with similar questions, often arriving at the boundaries of understanding. Ancient Rishis, suggest that quest for knowledge to know unknown is as important as seeking the answers. The Nasadiya Sukta, which is part of the Rig Veda, contains seven hymns. It is found in the 10th Mandala (Book) of the Rig Veda, specifically in hymn number 129. These seven hymns collectively explore profound existential and cosmological questions about the origins of the universe and the limits of human knowledge. Vedanta, often refer to the universe as Brahmanda (macrocosm) and man as Kshudra-Brahmanda (little egg of Brahma), suggesting the same Gunas or forces govern both. The Hiranyagarbha Sukta (Rig Veda 10.121) is another profound Vedic hymn detailing the creation of the universe from a Golden Womb or Cosmic Egg (Hiranyagarbha), existing before creation. The Hiranyagarbha Sukta exalts the creator, attributing the creation of life, of all creatures to it. The Hiranyagarbha story reinforces a scientific belief. The formation of the universe is explained by the Big Bang Theory. The theory states that the universe began as just a single point. Tiny particles combined together to form atoms. Atoms merged together causing reactions, forming stars and galaxies and planets conducive to life. According to modern science, the universe came into existence 13.8 billion years ago with the “Big Bang” (Big Bang theory is the leading explanation for the origin of the universe) and within 2 to 3 minutes of time large volume of Hydrogen, small volumes of Helium and Lithium also originated. Hydrogen is a constituent of the sun, the centre of our solar system, and Hydrogen is also equally found in the central strands of DNA which fact suggests that “Man is a Microcosm of the Macrocosm”, an ancient philosophical and metaphysical concept stating that the human being (microcosm) reflects the structure, principles, and consciousness of the entire universe (macrocosm). An archaeological dig in the trenches of Dhaba in central India’s upper Son River valley has uncovered traces of human occupancy dating back over 80,000 years. Between 80,000 and 65,000 years ago, an international team of researchers discovered evidence of ongoing human habitation in this region. The earliest human fossils found in India date back to the Paleolithic era, around 2.5 million years ago. These fossils were discovered in the Narmada Valley in Gujarat and the Siwalik Hills in Punjab. In the historical context, the Neolithic age began in 9000BC. The only known Neolithic settlement in the Indian subcontinent, attributed to 7000 BC, is in Mehrgarh, which is situated in Baluchistan, a province of Pakistan. Mehrgarh is located on the bank of the Bolan River in the Kochi plain which is called the ‘bread basket’ of Baluchistan. The prehistoric antecedents of Homo sapiens in India are also some seventy-five thousand years old, their existence substantiated by the discovery of remains in northern India. Vestiges of the ice ages (from the second ice age to the fourth) have been detected in the form of large flakes which have been found embedded in boulder gravels in parts of north-western Punjab, the Siwalik foothills, Poonch, and Jammu. “The radiocarbon evidence suggests movement and development of the Neolithic Culture in the Kashmir valley. It seems that central Asian Neolithic tradition entered the Kashmir valley in the second half of the fourth millennium BC when the Neolithic Settlers occupied the western part of the valley around Kanishkapura and then moved towards central Kashmir as the dates from Burzahom indicate the occupation around 2881 BC onwards. The Neolithic settlements occupied further south-eastern part of Kashmir in about 2347 BC onwards around Gufkral. It was during this phase when chalcolithic contacts might have developed between the Neolithic settlements of Kashmir in North and Harappan civilization in the Punjab-Haryana region in South which is indicated by the co-existing Harappan settlement at Manda (Akhnur) in Jammu on the right bank of the Chenab and Malpur, a Neolithic site partly excavated during 1994–96, located very close to the former, but on the left bank of the Chenab.” (Extract from a research paper on Kanishkpura by Archaeological Survey of India, 1998-99) Kashmiri Neolithic culture was distinguished by its dwelling pits, wide range of ceramics, the variety of stone and bone tools, and the complete absence of microliths. Its most important site is Burzahom, which means ‘the place of birch’, situated 16 km north-west of Srinagar. The Neolithic people lived there on a lake-side in pits, and probably had a hunting and fishing economy, and seem to have been acquainted with agriculture. The people of Gufkral (literally the ‘cave of the potter’), a Neolithic site, 41 km south-west of Srinagar, practiced both agriculture and animal husbandry. The Neolithic people in Kashmir used not only polished tools of stone, but also numerous tools and weapons made of bone. Chronologically, there are several series of Chalcolithic settlements in India. Some are pre-Harappan, others are contemporaneous with the Harappan culture, and yet others are post-Harappan. Up to 5000 BC, the people did not make pots but after 4500 BC, the potter’s wheel was known. Pots rapidly multiplied and they began to be painted. In the dried basin of Hakra, a tributary of the Indus, forty-seven Later Neolithic settlements have been found. Evidently, they paved the way for the rise of the Harappan culture. The urban culture of the Bronze Age found in Harappa was a path-breaking discovery. Long before the Egyptian or Sumerian cultures, there flourished Indus Valley Civilization in India. Swami Sankarananda, the author of ‘Rig Vedic Culture of the Pre-Historic Indus’ (Vol.1. Chap.1, P 50) writes; “Those people went with the script and culture as well as the language from the Indus Valley. These colonists spread the Indus Civilization to the Mediterranean shores and eventually became the fathers of the civilization of Greece and Rome.” India's history and culture is dynamic, spanning back to the beginning of human civilization. Long before the Egyptian or Sumerian cultures, there flourished Indus Valley Civilization in India. The culture of Mohenjo-Daro and Harappa was post-Vaidika. The Indus valley civilization was basically an urban civilization and the people lived in well-planned and well-built towns, which were also the centres for trade. The builders of the great cities Mohenjo-Daro and Harappa were masters of water management as the systems of urban water supply and sewerage. The ruins of Mohenjo-Daro and Harappa show that these were magnificent merchant cities-well planned, scientifically laid, and well looked after. These had wide roads and a well-developed drainage system. The houses were made of baked bricks and had two or more storeys. The highly civilized Harappans knew the art of growing cereals, and wheat and barley constituted their staple food. They consumed vegetables and fruits and ate mutton, pork and eggs as well. Evidences also show that they wore cotton as well as woollen garments. “The Indus Civilisation was essentially a Vedic Civilisation . . . That since in India there was a continuity of Kingship from Manu onwards to Candragupta there could have been no ‘Aryan’ invasion or migration, at least unknown to the closest neighbours, the Persians. Since the majority of the people of this part of the world belonged to the eastern branch of the Mediterranean race from about the 9th or 10th millennium BC, the people of the Indus cities also belonged to the same race, as also the Vedic Indians and, consequently, there can be no question of ‘pre- Aryan’ or ‘non-Aryan’ orientation of this civilisation. The Indus people belonged to one of the Vedic tribes or ‘Janas’ and were essentially Indian with Vedic culture. In the circumstances, there could have been no invasion ‘Aryans’ or ‘Indo- Europeans’ into India as professed by occidental orientalists. Hence the Indic Civilisation was Rig-Vedic Civilisation.” Source: A.N. Chandra, The Rig-Vedic Culture and the Indus Civilisation, Calcutta: Ratna Prakashan, 1980, p. 218. The urban culture of the Bronze Age found in Harappa, now in Pakistani Punjab was a path-breaking discovery. In 1853, A. Cunningham, the British engineer who became a great excavator, noticed a Harappan seal. Though the seal showed a bull and six written letters, he did not realize its significance. Much later, in 1921, the site of Harappa was appreciated when an Indian archaeologist, Sh. Daya Ram Sahni, started excavating it. At about the same time, Sh. R.D. Banerjee, a historian, excavated the site of Mohenjo-Daro in Sindh. Both discovered pottery and other antiquities indicative of a developed civilization. Large-scale excavations were carried out at Mohenjo-Daro under the supervision of Marshall in 1931. Mackay excavated the same site in 1938. Vats excavated at Harappa in 1940. In 1946 Mortimer Wheeler excavated Harappa, brought to light important antiquities of the Harappan culture at various sites where bronze was used. In the post-Independence period, archaeologists from both India and Pakistan excavated the Harappan and connected sites. S/Shri Suraj Bhan, M.K. Dhavalikar, J.P. Joshi, B.B. Lal, S.R. Rao, B.K. Thapar, R.S. Bisht, and others worked in Gujarat, Haryana, and Rajasthan. In Pakistan, Kot Dijo in the central Indus Valley was excavated by F.A. Khan, and great attention was paid to the Hakra and pre-Hakra cultures by M.R. Mughal. A.H. Dani excavated the Gandhara graves in the North-West Frontier Province of Pakistan. American, British, French, and Italian archaeologists also worked at several sites including Harappa. Rakhigarhi, Hissar district, in Haryana, has emerged as bigger in size than even the Mohenjo-Daro and Harappa sites in Pakistan and Dholavira in India's Gujarat with dimensions of 200, 150 and100 hectares. Dr. Shinde, a specialist in Harappan civilization and Director of the current excavation at Rakhigarhi, said: “Our discovery makes Rakhigarhi the biggest Harappan site, bigger than Mohenjo- Daro. The two new mounds show that the Rakhigarhi site was quite extensive. They have the same material as the main site. So, they are part of the main site. On the surface of mound nine, we noticed some burnt clay clots and circular furnaces, indicating this was the industrial area of the Harappan site of Rakhigarhi.” Dr. Shinde further said: “It was earlier thought that the origin of the early Harappan phase took place in Sind, in present-day Pakistan, because many sites had not been discovered then. In the last ten years, we have discovered many sites in this part [Haryana] and there are at least five Harappan sites such as Kunal, Bhirrana, Farmana, Girawad and Mitathal, which are producing early dates and where the early Harappan phase could go back to 5000 BC. We want to confirm it. Rakhigarhi is an ideal candidate to believe that the beginning of the Harappan civilization took place in the Ghaggar basin in Haryana and it gradually grew from here. If we get the confirmation, it will be interesting because the origin would have taken place in the Ghaggar basin in India and slowly moved to the Indus valley. That is one of the important aims of our current excavation at Rakhigarhi.” In early sixties, Dr. Waddel wrote a book on the Mohenjodaro and Harappa, culture discovered at cities; “that these were post Vedic date and that the seal and other objects of interest were completely Aryan in character and that the language impressed on the seals was Sanskrit” Aryatarangini, P13. The culture of Mohenjo-Daro and Harappa was post-Vaidika or Sanatana Dharma. There is a description of what Sanatana Dharma is in the Brahmanda Purana (II.33.37)
Seal of Pashupati
Seal from Mohenjo-Daro Recently, Indus seals have been reportedly deciphered by Dr. Rajaram and Dr. Jha and according to them; “the Harappan civilization, of which the seals are product, belong to later part of the Vedic Age. It had close connections with Vedantic works like Sutras and the Upanishads. The style of writing reflects the short aphorisms found in Sutra works. The imagery and symbolism are strongly Vedic. The vocabulary depends heavily on the Vedic glossary Nighantu and its commentary by Yaska known as the Nirukta. The name of Yaska is found on at least two seals, possibly three. There are references to Vedic kings and Sages as well as place names. Of particular interest are references to Plakshagra, the birth place of Saraswati River, and Sapta Apah or the land of the Seven Rivers.” B.B. Lal, the most prominent Indian archaeologist of the Indus Valley culture, argues that other artifacts and fire sites of the Indus Valley complex appear to be designed for rituals associated with the Vedic ritual tradition, which is usually dated many centuries later. Dr. Wheeler says; “the Harappans worshipped Mother Goddess, Shiva and the Linga.” He further says; “it is now certain that the remnants of the big building 52 feet long, 40 feet wide and with walls 4 ft. thick are the remains of a temple. Many of the idols and the linga were discovered from this spot. He has no doubt that the Harappans were Hindus, and that temple worship had a place then.”
5000-year-old Shivling Harappa, 4000-year-old statue of Vishnu. Vietnam Dr. Subash Kak adds; “There is evidence of temple structures in the Harappan period in addition to iconography that recalls the goddess. Structures dating to 2000 BC, built in the design of Yantras, have been unearthed in northern Afghanistan. There is ample evidence for continuity in the religious and artistic tradition of India from the Harappan times. The constructions of the Harappan period (2600-1900 BC) appear to be according to the Vedic principles. The dynamic ratio of 1:2:4 is the most commonly encountered size of rooms of houses, in the overall plan of houses and the construction of large public buildings. This ratio is also reflected in the overall plan of the large walled sector at Mohenjo-Daro called the citadel mound. It is even the most commonly encountered brick size.” According to the Sthapatya Veda (the Indian tradition of architecture), the temple and the town should mirror the cosmos. The temple architecture and the city plan are, therefore, related in their conception. In the basic Vedic scheme, the circle represents the earth and the square represents the heavens or the deity. Volwahsen (2001) has remarked on the continuity in the Indian architectural tradition. “The Harappan cities have a grid plan, just as is recommended in the Vedic manuals. The square shape represents the heavens, with the four directions representing the cardinal directions as well as the two solstices and the equinoxes of the sun’s orbit.” Diana Eck puts it in her ground breaking study of Hindu iconography,Darsan: Seeing the Divine Image in India; “Long before people wrote textual treatises, they wrote in images…One must learn to read these visual texts with the same insight and interpretive skill that is brought to the reading and interpretation of scriptures, commentaries, and theologies.” (Eck, 1998: 12-13) B.B. Lal was the first in the Indian sub-continent to view the archaeological data against the background of Puranic and Epics literature and opinioned that a large number of sites associated with the Mahabharata contain the same ceramic industry, i.e., the Painted Grey Ware in their lower level (Lal 55, AI, 10) The excavation at Hastinapura, named after King Hastin of the Puranic dynasty confirmed the stratigraphy of the Painted Grey Ware in the upper Ganga basin. He proposed a time bracket of 1100-800B.C. for PGW and associated these settlers with the early stock of Aryan in India. The Archaeological Survey of India further excavated Ram Janmabhumi in 2002-2003. To mention in the words of excavators, “the site (Trench AYD-1G7) has also proved to be significant for taking back its antiquarian remains for the first time to 1300BC.” North Indian temples were worshiped from earliest times till today, other earliest instances of Indian temples of which are the rock-cut and cave temples of Southern and Western India, dating to the 3rd and the 2nd centuries B.C. which provide some of the first known images of Hindu iconography. Hinduism has evolved as a part of the Sanskrit culture of ancient India. Having evolved from its beginnings in the Vedic civilization, it has evolved through centuries of the history of India. The people of India are the descendants of the Aryan people who lived in India from time immemorial. The earliest form of Hinduism was essentially nature worship. The Hindu spiritual system has evolved Vedic substratum, and its theological postulates, philosophy and legends which are a part of the Sanatana Dharma. There is no sectarianism, no fake mysticism, and no pagan obscure rites in Sanatana Dharma. The rituals observed by the Hindus of India are Vedic in principle. The form of worship, the Puja-Padhati, is also Vedic in its structure. Hindus meditating every morning, or doing his Puja, chanting Bhajans, practicing his Asanas, or doing Pranayama, does not feel he is doing anything out of the ordinary. He has inherited it and firmly believes Pranayama, Indian science of breathing, is the physical conduit to the Divine. “The earliest forms of Hinduism arose from prehistoric faiths. The true beginnings of the faith began around 4000 B.C with the combined practices of several tribal religions, which make it the oldest still-practiced religion in the world.” [Source: Jonathan H. Kantor, Listverse, July 31, 2016] The word Hindu occurs in Rig Veda as the second part of word VIBHINDU in Rig Veda (VIII.2.41) by Rishi Medhatithi, in RV (1,103, 30) by Rishi Angiras and in Rig Veda (1.116,20) by Rishi Kakshivan. The word VIBHINDU has been used by three different Rig Veda Rishis. In other words, Hindu word was used during Vedic times. Secondly, Ashoka’s inscriptions on stone during 3rd century BC used word HIDA in Prakrit more than 70 times for Hindus, The Hebrew Bible 300 BC used word HODU for India which is Judaic form of Hindu. Labi-bin-e- Akhtab bin-e-Turfa, 170 BC writes in his poem in Sair-ul-Okul, a collection of poetries of Arabia, HIND for India and HINDUS for Indians. Similarly, Omar-bin-Hassan, an uncle of Prophet Mohammed, writes in his poem, again from same collection poetries, in praise of Lord Shiva uses word HIND for India and HINDUS for Indians. SAYUR-UL-OKUL is a poem by Umar-Bine-Hassnam (Poetic Title: ABBUL-HIQAM meaning Father of Knowledge): Qafa Vinak Ziqra Min Ulumin Tav Aseru Kaluban Ayattul Hawa Va Tazakkaru A man who has spent all his life in sin and immortality and has wasted away his life in passion and fury, Va Tazakeroha Audan Elalvadae Lilvara Valuk Yane Zatulla He Yom Tab Aseru If he repents in the end and wants to return to morality, is there a way for his redemption? Va Ahlolaha Azahu Armiman Mahadev O Manazel Ilamuddine Minjum Va Sayattaru Even if only once he sincerely worships Mahadev, he can attain the highest position in the path of righteousness. Va Sahabi Keylam Feem Qamil Hinde Yoman Va Yaquloon Latahazan Fainnak Tavajjaru Oh Lord! Take away all my life and in return pray grant me even a single day’s stay in Hind (India) as a man becomes spiritually free on reaching that holy land. Mayassayare Akhalaqan Hasnan Kullahum Najumum Azaat Summ Gabul Hindu By dint of a pilgrimage of Hind a man attains the merit of noble deeds and gets the privilege of pious touch with ideal Hindu teachers. Brihaspatya Agama composed during 1st.Century AD to 5th. Century AD narrates; “Starting from Himalayas extending up to Indian Ocean is the nation build by Gods, Hindustan. Meru Tantra of Shiva Agama uses word HINDU and described; those who renounced ignorance and inferiority. Chinese travellers Fa-Heian, 5th century AD and Hien-Tsang 7th century AD used YINTU for Hindus. According to some scholars, the word India is said to have derived from Indus, which is the Romanized form of the Greek “Indos”. The Greek equivalent, however, comes from “Hindu” which is the Persianized word for Sindhu, the great river in whose banks the Vedic civilization originated and flourished. In ancient history, the Greeks, then the Persians, used the word Hindu to refer to the land and people beyond the Indus (or Sindhu) River. The word Hindu was used by Greek authors, beginning with Herodotus in the 6th century. Finally, using the word Hinduism to refer to a religion became popular only in the 19th century, first by the British and then by Hindus themselves to identify themselves as different from Muslims and others. In 1816, Rammohan Roy, a Hindu reformer, used the word ‘Hindooism’. Civilization is a social phenomenon. The Sanskrit civilization constitutes the great heritage of our country. It flourished in different regions, mainly on the banks of the rivers, by socio-religious and cultural bonds till today. It was on the banks of the lost sacred river Saraswati, that the Vedic Rishis perceived the hymns of the Vedas, in Sanskrit. Almost all ancient scriptures of Vedic India were written in Sanskrit only. These written records are the kernel of Hindu sacred literature. Vedic culture spread over the banks of Saraswati and other rivers became integral part of Aryan culture. In Hindu religious philosophy the prominence of Saraswati after it dried around 1900 BC, has taken over by Ganga. The waters of sacred Ganga, has purified Indian life in all ages by washing out the dirt of time. In Rig Veda, Saraswati is praised as the mother among rivers; Ambitame, Naditame, Devitame, Saraswati. Its literal meaning is; the greatest of goddesses, the greatest of mothers, the greatest of rivers. Saraswati River has been praised in 71 Richas of Rig Veda like Rig Veda (2.41.16) and in many more. Geological evidence has been found to suggest that the river Saraswati flowed down a north-westerly course, in northern India from Himalaya to the Rann of Kutch, in ancient times. It is believed to have dried up sometime between Vedic period and the time of Mahabharata. There is geological evidence to believe that, the withdrawal of the waters of Yamuna and Sutlej, which fed Saraswati, dried its waters. Saraswati was then the major river in Northern India, independent of the Indus river system and the Ganga river system. However, the Saraswati River went dry with the end of the Indus Valley culture during1900 BC. In fact, this may have caused the ending of the Indus culture. After Saraswati vanished it became a legend. “The Vedic civilization of the legendry river Saraswati flourished in the close vicinity of Kashmir. There is little doubt left now about the historicity of the Saraswat people. Geological evidence has come to surface which establishes beyond doubt that the river Saraswati flowed down from the Himalayas in a north-westerly course, to Rann of Kutch. Archaeological excavation along the course of the ancient river has revealed sterling facts about the civilizational linkages between the Harappan and the Saraswat people. David Frawley, a leading US Indologist has reported, that a committee of geologists, historians, geographers and other experts appointed by Government of India, under the chairmanship of Dr. V.S. Watankar, conducted a survey of 150 archaeological sites, over a stretch of 3500 kilometers along the course of the river Saraswati. They used latest techniques such as Multi-Spectral Scanner (MSS) and land sat imagery. The Committee concluded that the river Saraswati dried up gradually between 1800 BC and 800 BC due to tectonic movements which caused change in the course of river Satluj. The Committee discredited the theory of Aryan invasion of India and rejected the sociological divide between the pre-Aryan India and the Vedic India of the Aryan origin. It refused to recognize that the Harappan and Mohenjo-Daro cultures represent the pre-Aryan, Indus Valley Civilization. The Committee concluded that the discovery of the dried channel of the river Saraswati, east of river Indus and the location of more than 260 archaeological sites which showed civilizational similarities to Harappan and Mohenjo-Daro cultures provided evidence of the historical continuity of the Sind Valley Civilization and the early Vedic civilization of India. Evidence is also available of the close contact between the people of the Saraswati civilization and people of Kashmir. Nilmat era of the Hindu history of Kashmir followed the disappearance of the river Saraswati. Nilmat Purana narrates; ‘sixty-five rituals and festivals, were celebrated with great devotion, faith, pomp and show. Some of the rituals and festivals find mention in other Puranas also. Some of these are celebrated even today in Kashmir, like Kaw Poonim and Yaksha Mavas (Kechi Mavas). It is generally thought that the Purana talks of rituals and festivals of Nagas only, and these being adopted by Aryan Saraswat Brahmins of Kashmir, which is not so. Many of the rituals, festivals and days are common with those followed by Aryans in Bharatvarsha or emanating from Vedas.’” (Kashmir Hindu Shrines by Chaman Lal Gadoo) “The beginnings of Hinduism can be traced from the Indus Valley civilization (3200-1600 B.C.) to the composition of the Vedas, which began around 1500 B.C. The Indus Valley culture, known to the modern world through its archaeological remains (including impressive urban structures, pottery, inscriptions, and other artifacts), represents one of the most advanced civilizations in the world from these early times.” [Source: Leona Anderson, World mark Encyclopaedia of Religious Practices, Thomson Gale, 2006] India has been home to ancient civilizations since around 4000 BC even earlier which include the Indus Valley civilization, followed by the Vedic Age, even the Mauryan Empire, and the Gupta Empire had initially its big role in overall development of the country. All of these civilizations contributed to the advancement in science, technology, art, and culture. The earliest known major civilization in ancient India was the Indus Valley civilization that became more organized around 2600 BC. However, its development started earlier than that, with some evidence of cultural and technological developments going back to 5000 BC. But by 2600 BC the Indus Valley civilization had planned cities with complex public work projects like a sewage and drainage system. There was also development of technology like standardized systems of weights and the use of various crafts like metalworking. The Indus Valley Civilization, flourished for nearly eight centuries was, according to some scholars’ largest ancient civilizations. It was noted for its efficient town planning with interlinked drainage system, dwelling houses built with standardized burnt bricks, tiled flooring, wheel- turned ceramics, terracotta craft, spinning and weaving, bead-making, and more importantly, copper- bronze casting by the cire-Purdue or lost-wax process. Within this civilization flourished many towns and cities including Mohenjo-Daro, Harappa, Chanhu-Daro, Kalibangan and Lothal, which have revealed an agriculture-based economy with granaries and other storing techniques that made for an enriched community life. While there is wide-ranging archaeological data concerning the technical skills of the people, there is little information about their other activities. This is because their script, found on nearly 3,000 seals and other inscribed objects, is yet to be deciphered. Further excavation has shown that the great majority of the sites of the Indus Valley culture were east, not west of Indus. In fact, the largest concentration of sites appears in an area of Punjab and Rajasthan near the dry banks of ancient Saraswati and Drishadvati rivers. “The Hindu synthesis began to develop between 500–300 B.C. as various forms of Hindu study coalesced into the practices we see today. The earliest records of Hindu gods, goddesses and Hindu beliefs were first written down in about the fourth century A.D. However, by this time, there was already a strong oral tradition which supported these beliefs. The early Hindu epics and myths help us to understand the evolution of the gods and goddesses and the development of beliefs which form the basis of the modern Hindu religion.” [British Museum] Hinduism is regarded by some scholars as the oldest surviving religion. It originated around the Indus Valley near the River Indus in modern day Pakistan. Some elements date back as far as 7,000 to 10,000 years ago. Based on study of its earliest scriptures, the history of the intellectual and religious life of the ancient Hindus is matchless in its continuity, its fullness, and its philosophical truth. The Aryans built houses, villages, and towns, made roads, and constructed boats for communication by water or for a humble kind of trade. Weaving, spinning, and plaiting were known, and furs, skins, and woollen fabrics were made into garments. Carpentry must have made considerable progress, and dyeing was known. Many of the useful animals had been domesticated and brought under the service of man. The cow, the bull, the ox, the sheep, the goat, the swine, the dog, and the horse had all been domesticated. Anthropologists have observed that the present population of Gujarat is composed of more or less the same ethnic groups as are noticed at Lothal in 2000 BC. Similarly, the present population of the Punjab is said to be ethnically the same as the population of Harappa and Rupar 4000 years ago. Linguistically the present-day population of Gujarat and Punjab belongs to the Indo-Aryan language-speaking group. The only inference that can be drawn from the anthropological and linguistic evidences adduced above is that the Harappan population in the Indus Valley and Gujarat in 2000 BC was composed of two or more groups, the more dominant among them having very close ethnic affinities with the present-day Indo-Aryan speaking population of India. In other words, there is no racial evidence of any such Indo-Aryan invasion of India but only of continuity of the same group of people who traditionally considered be Aryans. The history of the intellectual and religious life of the ancient Hindus is matchless in its continuity, its fullness, and its philosophical truth. The Aryans built houses, villages, and towns, made roads, and constructed boats for communication by water for trade. Weaving, spinning, and plaiting were known, and furs, skins, and woollen fabrics were made into garments. Carpentry must have made considerable progress, and dyeing was known. Many of the useful animals had been domesticated and brought under the service of man. The cow, the bull, the ox, the sheep, the goat, the swine, the dog, and the horse had all been domesticated. A well-known stamp seal from the Indus Valley, the Pashupati seal is carved in steatite and gets its name from the Sanskrit word for “lord of all animals,” referring to the Hindu deity Shiva. Mohenjo-Daro was one in a series of settlements that is collectively known as the Indus Valley Civilization. Named after the Indus River, this early civilization encompassed a vast swath of present-day Pakistan and north-western India. Mohenjo-Daro had an estimated 40,000 residents and was a well-planned settlement with efficient urban facilities that included street drainage, a sewage system, and large civic buildings. Residents also had access to well-water and many had baths in their homes. Seals numbering in the thousands has been discovered in excavations of Indus cities as well as in sites in the Persian Gulf in southwest Asia. Seals from the Gulf region have similarly been found in Indus cities. The finds suggest active trade and exchange between these areas in the third millennium BC.
Early Hindus have a rich history of remarkable advancements in science and technology. Throughout the centuries, Indian Hindu Scientists/Scholars made groundbreaking discoveries and developed inventions that contributed significantly to the world's scientific knowledge. The Vedas, Itihasas, Brahmaṇas, Araṇyakas, Upanishads, and Puranas, not only delved into philosophical and spiritual realms but also contained profound insights into mathematics, astronomy, medicine, and much more. The Atharva Veda was the first to mention diseases, cures, and medicines. The diseases mentioned are fever, cough, diarrhoea, dropsy, sores, leprosy, seizures and many more. The invention of zero, the decimal numeral system, advancements in agriculture, irrigation, astronomy, medicine, metallurgy, philosophy, as well as their discoveries by ancient Indian Hindu scientists have shaped science of modern world. For at least two reasons the Hindu tradition contains the greatest diversity of any world tradition. First, Hinduism spans the longest stretch of time of the major world religions, with even the more conservative views setting it as well over 10,000 years old. Throughout this expanse of time, the Hindu tradition has been extremely conservative about abandoning elements that have been historically superseded. Instead, these elements have often been preserved and given new importance, resulting in historical layers of considerable diversity within the tradition. Second, Hinduism has organically absorbed hundreds of separate cultural traditions, expressed in as many as 300 languages Hindu Spiritual System has evolved as a part of the Sanskrit culture of ancient India. Having evolved from its beginnings in the Vedic civilization, it has evolved through centuries of the history of India. The Hindu spiritual system has a Vedic substratum and its theological postulates, philosophy and legends are a part of the Sanatana Dharma. There is no sectarianism, no fake mysticism, and no pagan obscure rites in Sanatana Dharma. Sanatana literally means eternal, that which has no beginning or end. That which is timeless cannot have a beginning or end. Therefore, by definition, it is beyond the constraints of time, and that is why it is said to be the oldest living religion (Dharma) in the world. The rituals observed by the Hindus of India are Vedic in principle. The form of worship, the Puja-Padvati, is also Vedic in its structure since time immemorial. Yoga, the ancient spiritual aspect in Sanatana Dharma is a way to Godhood. It is discipline of mind and body ultimately leading to self-realization. The word ‘Yoga’ is derived from the Sanskrit root ‘Yuj’, meaning ‘to join’ or ‘to yoke’ or ‘to unite’. Hindus meditating every morning, or doing his Puja, chanting Bhajans, practicing his Asanas, or doing Pranayama, does not feel he is doing anything out of the ordinary. He has inherited it and firmly believes Pranayama, Indian science of breathing, is the physical conduit to the Divine. “Sanatana dharma, in Hinduism, term used to denote the “eternal” or absolute set of duties or religiously ordained practices incumbent upon all Hindus, regardless of class, caste, or sect. Different texts give different lists of the duties, but in general sanatana dharma consists of virtues such as honesty, refraining from injuring living beings, purity, goodwill, mercy, patience, forbearance, self-restraint, generosity, and asceticism. Sanatana dharma is contrasted with svadharma, one’s “own duty” or the particular duties enjoined upon an individual according to his or her class or caste and stage of life. The potential for conflict between the two types of dharma (e.g., between the duties of a warrior and the general injunction to practice non-injury) is addressed in Hindu texts such as the Bhagavad Gita, where it is said that in such cases svadharma must prevail.” (Encyclopaedia Britannica) The culture of India is called as the Rishi culture or Vedic Culture, from ancient times. The Vedas are the foundations of Sanatana Dharma and Indian culture. The Vedas are ancient books of knowledge and deal with all branches of knowledge mainly religion, philosophy, science, astronomy, astrology, sociology, music, politics and administration. The Vedas are compared to Kalpa-Vriksha (the desire tree), because they contain all things perceivable by man. Vedas led us towards more meaningful, purposeful and useful life. Broadly speaking, Vedas are inseparable part of Hindu civilization. Hinduism has been full of scientific thought and contributed immensely to the global civilization spanning more than five millennia. The Upavedas and Vedangas offer a profound understanding of Vedic wisdom. They bridge the gap between spiritual teachings and scientific applications, making ancient knowledge relevant in modern world. Vedangas, or "limbs of the Vedas" encompass six essential disciplines crucial for studying ancient Indian spiritual texts, the Vedas, and form the foundation of Hinduism and Yoga. They are mainly divided into six categories- Kalpa (religious practices), Siksha (pronunciation), Vyakaran (grammar), Nirukta (etymology), Channdas (meter) and Jyotish (astronomy). Each Veda has its Upaveda. They are mainly divided into four categories- Ayurveda (medicine), Dhanurveda (art and war), Gandharvveda (art of music) and Shilpveda (architecture}. Ancient Hindus had a comprehensive understanding of plants and their medicinal properties. The Rig Veda contains references to various plants used for medicinal purposes, and later texts like the Nighantu explored plant classifications and their therapeutic applications. The Panchatantra and other ancient texts included study of animals (zoology)—observations of animal behaviour and characteristics. The Sushruta Samhit contains insights into embryology, describing the development of the foetus in the womb. It includes discussions on various stages of foetal growth and the formation of organs. Artha Shastra discussed wildlife management, wildlife resources and conservation. Artha Shastra also deals with the study of insects (entomology). It provided information on insects and their impact on agriculture. The text suggests measures for pest control and emphasises the importance of understanding insect behaviour. Ayurveda translates to the science of longevity. Poor health is seen as an obstacle to spiritual practice, so this entire science is dedicated to preserving the human body. A detailed text called the Charaka Samhita includes anatomy, physiology, and various treatments using plants, fruits, and herbs. Jyotish in Sanskrit means Astrology and Astronomy, one of the six Vedangas and ancillary of the four Vedas. Astrology Hindus believe that it is like a map that offers a glimpse of the future, highlighting times in which life will be rough, and when life might be smooth. Astrology was created as a way to help them understand why good or bad things were happening to them, and how to better plan for the future. Hindu martial arts training emphasized mastery of the breath as a mechanism of focus, as well as mastery of weapons (particularly the bow and arrow). Mastery of Mantras that enabled warriors to empower their weapons is emphasized as well. Many Hindus consider singing and dancing to be sacred arts. The epics and other Hindu stories are often depicted through music to help devotees understand the life lessons found in scripture and to enable a deep connection with the divine. The concept of environmental conservation, in the reverence for nature in various scriptures, provides a deep ecological understanding. Practices such as water harvesting and sustainable agriculture were embedded in ancient Indians. Early Hindus developed technologies such as stone-work, agriculture, animal husbandry, pottery, metallurgy, textile manufacture, bead-making, wood-carving, cart-making, sailing, and more with science and technology. Making of garments and buttons also originated at different places. India’s maritime knowledge is evident in Artha Shastra. It provided guidelines for shipbuilding, navigation, and trade. Early Hindus also pioneered in shipbuilding. The art of navigation has originated in the region of the Indus River (Sindh) over 6,000 years ago, with the word navigation derived from the Sanskrit word navgatih. The remains of a dockyard at Lothal in Gujarat show that trade by sea flourished in those days. Indian ships travelled in Indian Ocean and reached the shores of Africa and South East Asia.
The Indian Science and technology began at Mehrgarh (now in Pakistan) and continued throughout the country’s history. The ruins of Mohenjo-Daro and Harappa suggest that a highly advanced civilization was already well developed in the Indus River Valley by 3000 BC, having grown from Neolithic Period settlements dating to before 7000 BC. This period is referred to as the era of the Indus Valley Civilization (7000 to 600 BC). Glazed potteries and bronze and copper artifacts discovered in the Indus Valley excavations indicate a highly developed metallurgy also pioneered in grid-based city layouts, covered drainage systems, and the world's first enclosed dockyard at Lothal. Ancient Hindus were excellent city builders and town planners. Water management with excellent sanitation and drainage system with flush toilets, concealed or underground water pipelines, public baths, interior bathrooms, water canals, well paved rectangular roads, four-squares and buildings are evident in the Harappan city planning. Harappa's town planning demonstrates that Hindus were well-versed in measurement and geometry. Excavations at Harappan sites have yielded ivory and shell rulers or linear measures. The calibrations, which are marked out in minute subdivisions with amazing accuracy, correspond closely with the hasta increments of 1 3/8 inches, which were traditionally used in South Indian ancient architecture. The dimensions of ancient bricks discovered at excavation sites correspond to the units on these rulers. By 2000 BC, Mohenjo-Daro had brick streets, running water, and a highly developed industrial, commercial, and political system. The Indus Valley's contemporary civilizations were not as scientific as the Indus. With this, almost all of ancient India was technically and economically self-sufficient, and as a Vishwa- Guru, India was the world's leader. Early Hindus developed different systems of agriculture, irrigation, canals and water storage systems, including artificial lakes, by 3,000 BC. Cotton was cultivated by 5,000–4,000 BC. They farmed with animal-drawn ploughs in the Indus Civilisation in 2,500 BC. The people of the Indus-Saraswati region used weights and measures. Australian historian, Auther Basham notes; “The ancient civilization of India differs from Egypt, Mesopotania and Greece, in that its traditions have been preserved without break down to the present day.” American mathematician A. Seindenberg writes; “Arithmetic equations from the Sulba Sutras were used in the observation of triangle by the Babylonians and the theory of contraries and of inexactitude in arithmetic methods, discovered by Hindus, inspired Pythagorean mathematics.” French astronomer Jean-Claude Bailly observed; “the Hindu astronomic systems were much more ancient than those of Greeks or even Egyptians and the movement of stars which was calculated by the Hindus 4500 years ago, does not differ from those used today by even one minute.” Ancient agricultural practices involved the use of various chemical processes. Artha Shastra provided guidance on soil fertility, irrigation, and the use of organic and inorganic substances for enhancing agricultural productivity. Early, Hindus grew wheat, barley, and millets and practiced plough-based agriculture as well as intercropping in some areas. The wheel-turned pots came in a variety of shapes and sizes, and some were also glazed and painted. The produced a large number of golds, bronze, conch-shell, glazed faience, and humble terracotta bangles, which contributed to India's love of bangles even today. Weavers used wheel-spun thread, and evidence of silk, in addition to cotton, has recently been discovered at two sites. Stone and ivory carving, carpet making, and inlaid woodwork were among the other crafts. The ancient Indian tradition of chemistry was known as Rasa Shastra. It involved the systematic study of minerals and metals for medicinal and transmutational purposes. Ancient Indian texts describe various methods of salt production, highlighting a practical understanding of chemical processes. The Artha Shastra, of Chanakya (4th century BC), detailed techniques for extracting salt from saline water and soil. Texts such as the Rasa Ratnakara and Rasa Kamadhenu provided detailed instructions on the preparation of various chemical compounds, including alloys, acids, and medicines. The Arabs translated these as alchemy texts and spread all-over. Indian contribution to chemistry is numerous, especially in metallurgy. The Copper Age in India started by 4000 BC, Bronze Age by 3300 BC, Iron Age in 2000 BC. Ancient Indian artisans were skilled metallurgists, and their expertise is evident in the extraction and processing of metals. Indians made profound contributions to what we today call physics. The Vaiseṣika Sutra dated to between 6th to 2nd century BC is a work of Kanada. It had some early insights into the Newtonian laws of motion. However, it was not formalized into a formal theorem with mathematical formulas like Newton has done. Bhaskara II (1114-1185 AD) proposed the idea of gravity, recognizing that objects are attracted towards the Earth due to a force. It was an early insight to the gravitational laws, few centuries before Newton. Later, this Classical Physics transitioned into Quantum Physics. The philosophical foundation for Quantum Physics is seen in Vedanta. The philosophy of Vedanta, quite similar to Quantum Physics, posits that the observer influences what is observed. Correspondingly, the Advaita Vedanta insists that it is our mind that creates our reality in this observable universe. Similar to Advaita Vedanta, Quantum Physics is nearing the conclusion of universal Oneness of the multiplicity apparently observed by the observer. Ancient Indian metallurgists were skilled in creating metal alloys. Artha Shastra, mentions methods for alloying metals and describes techniques for testing the purity of metals. This knowledge was crucial for ensuring the quality of metal products. The development of alloys, such as bronze (copper and tin) and brass (copper and zinc), played a crucial role in various industries, including sculpture, coinage, and tool manufacturing. Copper was widely used in ancient India for making tools, utensils, and decorative items. Bronze, an alloy of copper and tin, was employed to create durable and corrosion-resistant artefacts. Gold and silver were extensively used in ancient Indian art and jewellery. Metal was also used in architectural elements such as pillars and gates. The exquisite detailing on metalwork in temples and palaces reflects the craftsmanship of ancient Indian metallurgists. The ancient Indians were skilled in glass making, and the use of glass vessels is mentioned in various texts. Additionally, dyeing techniques for textiles involved chemical processes, and the knowledge of plant-based dyes was well-established. Ancient Indian astronomers developed precise methods for calculating the positions of celestial bodies. The Siddhanta’s, astronomical treatises, provided mathematical models for planetary motion, eclipses, and the positions of stars. The Indian calendar system, known as the Panchanga, was developed to accurately measure time, celestial events, and festivals. Panca Siddhantika of Varahamihira (505-587 BC) discussed various methods for calculating calendar dates based on planetary positions. Ancient Indian astronomers used ecliptic coordinates, a system for locating celestial objects along the ecliptic plane. The Surya Siddhanta described the measurement of celestial longitude and latitude. the division of the celestial sphere into lunar mansions, or Nakshatras, played a significant role in Indian astronomy. These divisions were used for timekeeping, especially in the context of lunar and solar calendars. Ancient Indian astronomers were skilled observers. They documented celestial events such as eclipses, comets, and the positions of planets, contributing to a growing body of astronomical knowledge. Such observations, recorded in the texts like Vedanga Jyotiṣa, Ramayana and Mahabharata aid in dating the events mentioned in these texts or dating the text itself, after it was supplemented with other disciplines like archaeology. Ayurveda, the ancient Indian system of medicine, incorporated principles of chemistry in the preparation of medicines. Charaka and Sushruta, ancient medical scholars, documented the properties of various substances, including minerals and plant extracts, and their therapeutic uses. Sushruta (6th century BC) is known as the "Father of Surgery," detailed procedures for rhinoplasty (nose reconstruction) and ophthalmic surgery (cataract removal) in the Sushruta Samhita. He makes reference to 121 surgical instruments. Also, ancient Indian surgeons were well-versed in plastic surgery (repair of noses, ears and lips). Early evidence from the Indus Valley Civilization shows the use of bow drills for dental treatment. The veterinary science the animal husbandry activities have been mentioned in a Atharva Veda. In the post Vedic literature came up Asva-Ayurveda - about horses; Hasti – Ayurveda- about elephants; Gau- Ayurveda- about cows and Shyenka- Ayurveda- about hawks. The veterinary science has been mentioned in Charaka samhita, chapter II verses 10-26. It has further been elaborated in Harita samhita. Dairying is mentioned in Gau-Ayurveda. It has been mentioned that cattle should graze freely so that they achieve a successful mating and their further breeding. Atharva Veda has a specific mention about the conservation and breeding of cattle. There are references in the Vedic literature about Vaidyuti (electricity). It is often understood as a force with the potential for shock or spark, which can also create light. Many texts like Ramayaṇa and Mahabharata make mention of ‘Yantras’ which is understood as complex machines, often employed in warfare. Yantras are often attached to the walls of fortresses. They can strike multiple number of enemies. Sataghni is a Yantra which can kill hundred enemies at a time. Other Yantras like Ṭaṭṭalaka (turret), Kaca Grahaṇi (hair-grasper), Uṣṭrika (camel shaped catapults), Huḍa Sṛngika, Huḍaguḍa and Yantrajala too are frequently mentioned in the Itihasas. Most of these are mentioned in Vana Parva of Mahabharata in the battle of Sri Kirshna with the king of Salva. Vimana’s of various complexity are mentioned in the Itihsasa. Often, they are described as flying vehicles, though a Vimana could also mean the tall tower of a building. The poet of Mahabharata reports the arrival of a Vimana to take Arjuna from Himalaya as follows (MBH 3.43.3-6): - “Removing the darkness from the sky and splitting the clouds, it made a thundercloud like sound. It had Asi (swords), Sakti (spears), fearsome Bhima Gada (huge clubs) and Parsa (lances) with divine power. It had Vidyuta (lightning) flashes. It had Huḍaguḍa with Cakra (wheel). It had Vayu Sphoṭa – implements that created bursts of winds. It produced sounds of Barhi (peacocks) and clouds. It had terrible and huge Nagas with glowing mouths, tall as white clouds and hard as rocks.”

DEV PRAYAG

DEV PRAYAG Dev Prayag is famous as the origin point of the river Ganga and the confluence of the Alaknanda and Bhagirathi holy rivers. However, it is the final confluence among the Panch Prayag in Uttarakhand. Moreover, the heavenly and purest river originates at this very spot, making it a significant site. Dev Prayag is also known as Deoprayag, situated at an elevation of 2,700 ft. above sea level. Located roughly 70 kilometers from Rishikesh, Dev Prayag is the first stop on the famous Char Dham Yatra and is considered a holy site for ritual purification. The Sangam is also considered the ‘Godly Confluence’, as the name “Dev Prayag” is derived from the word “Dev: God” and “Prayag: Confluence”. Even the ancient legends hold great significance for Dev Prayag Sangam. It is believed that King Bhagirath mediated at this very spot to bring the river from heaven to earth for the salvations of his ancestors. This Sangam is often famous for the spiritual union of heaven and earth. According to the Ramayana, Lord Rama and his brother Lakshmana visited this spot after the Ram-Ravana war. Sri Rama performed severe penance and meditation here to atone for the sin of killing Ravana, who was a Brahmin and a great devotee of Lord Shiva. It is also believed, that the Lord Rama’s father King Dashrath also did penance here. The Raghunath Temple is the symbol of Lord Rama’s presence here. Perched on a hill overlooking the Sangam, this ancient shrine dedicated to Lord Rama is one of the 108 Divya Desams. Believed to date back to the 8th century, it features a 15-foot granite statue of the deity. This ancient temple is built of massive stones and capped by a pyramidal white cupola. The overall shape of the temple is pyramidal. Inside, devotees revere the footprints of Lord Rama and are said to be granted relief from their sins. The temple complex also houses smaller shrines for Hanuman, Shiva, and Adi Shankara. Dashrathshila Temple is another famous temple. It is situated on the banks of the Shanta River. This ancient shrine is where King Dashrath (Lord Rama’s father) is said to have performed penance. Pilgrims can also view the King’s stone throne in the temple. Dandeshwar Mahadev Temple is another important local Shiva temple often visited by pilgrims and tourists exploring the sacred town. Dev Prayag is one of the most beautiful places in Uttarakhand that can be visited throughout the year. However, the best time to visit Dev Prayag is between April and October, as climate conditions are pleasant for all travelers. The summer offers ample sunshine, but it is good to be here as the climate condition is favorable, and can enjoy the pleasant weather. However, the winter season is quite cold and freezing as the Dev Prayag is settled at a high altitude. COMPILED By :CHAMAN LAL GADOO

RUDRA PRAYAG

RUDRA PRAYAG Rudra Prayag is one of the Panch-Prayag (five confluences) of Alaknanda River, the point of confluence of rivers Alaknanda and Mandakini. The confluence of two rivers is called Prayag in Sanskrit. This confluence is named after Lord Shiva, who is also known as Rudra. It is perched at an average elevation of 895 metres about 2,936 feet above sea level. Pilgrims to Rudra Prayag would be awestruck by the natural beauty of the area. As the Alaknanda's pristine waters meet the turquoise flow of the Mandakini, the town is surrounded by mountains and valleys. It's the perfect place to unwind, reflect, and recharge thanks to the tranquil setting and the calming sound of running water. According to a widely narrated legend, Shiva performed the Tandva here. Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. Shiva also played his favourite musical instrument the Rudra Veena here. By playing the Veena, he enticed Lord Vishnu to his presence and converted him to water. The first legend talks about the creation of Rudra Prayag. The tale dots a king named Putraka. Putraka is believed to have brought Rudra Prayag to life using magic for his beloved wife Patali. Hence, the place was earlier known as Patali Gram, in which ‘Gram’ stood for the village. Further, the city was Kedarnath ‘Patliputra’ in the honour of Patali’s son. There are also stories revolving around Ajatshatru, the king of Magadh. Beliefs are that around 490 BC Ajatshatru took up Rudrapur as his capital instead of Rajgarh. Apparently, he also fortified this place for the same. Moreover, Gautam Buddha also graced the place during his nearing time. Another legend narrates that Sage Narada had become conceited by his Veena playing skills. The Gods requested Lord Krishna in order to set things right. Sri Krishna told Narada that Shiva and his consort Parvati were impressed by his musical talent. Narada was taken in by the praise and immediately set out to meet Lord Shiva in the Himalayas. On the way at Rudra Prayag, he met several beautiful damsels called Raginis (musical notes) who were disfigured and the reason for such disfigurement was squarely attributed to Narada playing his Veena. Hearing this, Narada felt humbled and surrendered before Lord Shiva and decided to devote himself to learning music as disciple of Lord Shiva. The origin of the name Rudra Prayag has many legends. One of the more popular ones says that Sage Narada came to this place once and meditated on Lord Shiva seeking his help in learning the mysteries of music. Lord Shiva was pleased and appeared before Narada. Lord Shiva gave Narada the knowledge of Ragas and Raginis of Indian classical music. Since Shiva appeared as Rudra, the place came to be known Rudra Prayag. According to legend, the temple of Rudera Nath was built at the place of Lord Shiva’s appearance. 2 According to another legend, the consort of Shiva - Sati was reborn as Parvati as the daughter of Himalaya, after she self-immolated herself in protest of the insult of Lord Shiva. In spite of Himalaya's protests, Parvati performed rigorous penance to get the boon of becoming Shiva’s wife in the new birth too. Temples dedicated to Rudra Nath (Shiva) and Goddess Chamunda are also, located here. Kedarnath, a Hindu holy town is located 86 km from Rudra Prayag. Rudra Prayag's spiritual roots may be traced back to Lord Shiva, one of the most important deities in Hindu Trinity. Legend has it that this is where Lord Shiva danced the Tandava, flooding the area with his heavenly force and leaving an indelible mark on it. Rudra Prayag is an important pilgrimage place for devotees seeking blessings and spiritual upliftment since it is located at the confluence of the Alaknanda and Mandakini holy rivers, which represents the harmonious union of two divine powers. Rudra Prayag also happens to be the spot where Pandavas came for repentance after killing their brothers in the battle of Mahabharata. Hereafter, they left for heaven. The famed Rudranath Temple, devoted to Lord Shiva, may be found in the center of Rudra Prayag. The beautiful carvings, superb sculptures, and peaceful atmosphere of this architectural marvel capture the region's spiritual character. The sanctuary of the temple is a place of prayer and meditation, where worshippers may commune with the Divine against the stunning Himalayan landscape. Festivals and fairs bring the community to life by celebrating the rich history of the region. Experience the essence of the local traditions during the annual Rudra Prayag Utsav, a festival that features music, dancing, religious rituals, and traditional performances. Devotees often refer to the place as ‘Abode of the Gods’ because of its beauty and serenity. Moreover, Agasta Muni Ashram is at a distance of 18 km from Rudra Prayag. Rishi Agastya meditated at Agasta Muni Ashram for many years which added up religious significance to the place. May through June even September and October are the best months to visit Rudra Prayag. Pilgrims visit the holy city of Rudra Prayag with ease during these months, since the weather is mild, and the route is open. At the confluence of the Alaknanda and Mandakini holy rivers, the weather is mild; the sky is bright, and the spiritual energy of the town is at its peak in the spring and fall. COMPILED By CHAMAN LAL GADOO VIDYA GAURI GADOO RESEARCH CENTRE Email:cl.gadoo@gmail.com Blog: clgadoo.blogspot.com

KARNA PRAYAG

Karna Prayag – Confluence of Alaknanda and Pindar Rivers Karana Prayag is the location where Alaknanda River is joined by the Pinder River that originates from the Pindar glacier, almost 200 km further north in the Nanda Devi Mountain range. Karna Prayag is one of the sacred ‘Panch-Prayags’ and is at an altitude of 4750 feet above sea level. The town gets its name from Karna of the Mahabharata. In Kedar Khand of Skanda Purana it has been called Shiva Kshetra Suralaya. Uma also attained divinity here and became Parvati. In other stories, this is also the birthplace of Shiva’s son Skanda Kumar (Kartikeya). Due to this, the old name of Karna Prayag is also Skanda Prayag. Pindar River: A tributary of the Alaknanda River, named after the legendary King Pindar. Alaknanda River: This is one of the headwaters of the Ganga River and is considered sacred in Hinduism. Karna Prayag Sangam – This is the meeting place of the two rivers – Alaknanda and Pindar. Karna Prayag offers breathtaking natural beauty, with the convergence of the Alaknanda and Pindar rivers creating a picturesque view. The surrounding landscapes are adorned with lush greenery, dense forests, and snow-capped peaks, making it an ideal place for pilgrims. The unimaginable beauty of this spot has to be seen to be believed. The two rivers gushing down from the mountains and incredible views all around fill you with awe and reverence. The epic Mahabharata legend narrates that Karna did penance here and earned the protective gear of Kavacha (armour) and Kundala (ear rings) from his father, the Sun God, which gave him indestructible powers. The name of the confluence is thus derived from the name of Karna. There is reference to this site in Meghaduta, a Sanskrit lyrical poetic drama written by the legendary poet Kalidasa, which attributes that Satopanth and Bhagirathi glaciers joined here to form the Pindar River. Another classic work by the same author called the Abhijnana-Shakuntala also mentions that Shakuntala and king Dushyanta's romantic dalliance occurred here. It is also mentioned that Swami Vivekananda meditated here for eighteen days. Karna, one of the major characters of the Mahabharata was the son of Kunti and the half-brother of the Pandavas. This was not known to the Pandavas and they came to know only after he had died. In the Mahabharata war, Karna fought on the side of Duryodhana and the Kauravas. Another legend says Lord Krishna cremated Karna at this place. It was not possible to kill Karna as he was protected by his massive accumulation of good deeds. He was eventually killed by trickery. Before dying he requested Lord Krishna to cremate him in a place where none other had been cremated. That is why his body was brought to Karna Prayag for the last rites. The name “Karna Prayag” is derived from the name of “Karna” (Pandava brother). The river Pindar is known as the river Karna Ganga, and it merges with 2 Alaknanda here, forming a Prayag, so the site is named as “Karna Prayag”. It is the very site where Karna performed penance, and his cremation rituals were performed here. Next to the confluence site there is a large pasturage on the bank where cows are seen grazing. According to a local legend, a local Zamindar inadvertently killed a cow (go-hatya) in this pasture land, which according to Hindu religion was considered a religious offence. The contrived zamindar, who did not have adequate money to do reparatory acts to atone for this sin, requested a visiting pilgrim from South India to help him out. With the help of the philanthropic pilgrim, the Zamindar bought the pasture land, dedicated it to Lord Badrinath, a form of Vishnu, with the vow that the land so acquired would be used only for the purpose of grazing by cows. Karna Temple, a beautiful temple dedicated to Karna near the confluence of the rivers. This is believed to be the spot where Lord Krishna cremated Karna. The stone seat where Karna did penance is also seen here. A temple built to commemorate Karna has the deity of Goddess Uma Devi (daughter of the Himalayas) here. The stone temple was rebuilt by Adi Shankaracharya. In the sanctum, the images of Goddess Parvati, her consort Shiva and her elephant-headed son Ganesha are installed, next to that of Uma Devi, apart from Karna’s image. A steep row of steps from the temple along a spur leads to the confluence point. And, down these steps, small shrines of Shiva and the Binayak Shila (the Ganesha stone) - that is believed to provide protection from danger - are located. Once in 12 years, a procession of the image of Uma Devi is taken round a few villages in the sub-divisional town of Karan Prayag. Besides these temples, there are a number of small but quaint temples in and around Karna Prayag. Walking along the rivers or on the countryside slopes is another enjoyable activity here. Festivals and Celebrations in Karna Prayag: The town comes alive during various festivals and celebrations. Maha Shivaratri, dedicated to Lord Shiva, is a grand event celebrated with great enthusiasm at the Uma Devi Temple and other Shiva temples in the region. The festival attracts a large number of devotees, who offer prayers and participate in religious rituals. COMPILED By CHAMAN LAL GADOO VIDYA GAURI GADOO RESEARCH CENTRE Email:cl.gadoo@gmail.com Blog: clgadoo.blogspot.com

NAND PRAYAG

Nand Prayag – Confluence of Holy Alaknanda and Nandakini River Nand Prayag is the second Prayag in the sequence of the five revered confluences, known as Panch Prayag, where the Nandakini River joins the main Alaknanda River. Nand Prayag is 1,358 metres above sea level and is surrounded by big green mountains that give the place a peaceful and spiritual feel. This place has been special to Hindus for a long time, as many believe that taking a dip where the rivers meet can help them achieve Moksha. The natural beauty of Nand Prayag is breathtaking, with the majestic Himalayas forming a stunning backdrop. The convergence of the Alaknanda and Nandakini rivers creates a mesmerizing sight, and the surrounding valleys and meadows add to the charm of the place. The tranquility and purity of the environment make it an ideal spot for meditation and introspection. Alaknanda River starts at the Satopanth and Bhagirathi Kharak glaciers and travels nearly 190 km through Chamoli district in Uttarakhand. It is one of the two rivers that form the holy Ganga. It flows beside Badrinath Temple, joins Nandakini at Nand Prayag, and later meets Bhagirathi in Dev Prayag, where the sacred Ganga begins. Nandakini River is 105 km long, starts near the Nanda Ghunti peaks, flows through the Garhwal Himalayas of Uttarakhand and finally joins the Alaknanda at Nand Prayag. It is one of the five holy rivers that join the River Ganga and its valley is a beautiful and peaceful place with green hills all around. The origin of the river Nandakini is the glacier of “Nanda Devi Mountains” and it can be said that the name of this place “Nand Prayag” in the name of the mountain and the river derived from it, but its relation with the legend is associated with Lord Krishna. Nand Prayag was once called Kanvasu, it was named after the great Maharshi Kanva. This place was considered “the capital of the Yadu kingdom” in the Dwapar era. Here is the beautiful temple of Nanda Devi and named “Nand Prayag” with the names of the temple of Nanda Devi, samudram of Nand and the confluence of Nandakini. Today it is known as a holy town where two rivers, Alaknanda and Nandakini meet. Nand Prayag in Skand Purana was called Kanva Ashram. The legend also narrate that Sage Kanva did penance here and also that wedding of King Dushyanta and Shakuntala took place at this venue. According to a legend, a noble King Nand performed Yagya and sought blessings of Lord Narayana. The confluence is named after him as per epic Mahabharata. Also, it is associated with Lord Shiva's tandava dance. The other version of the legend states that the confluence derives its name from the Yadav king Nanda, the foster-father of Lord Krishna. According to the legend, Lord Vishnu granted a boon of the birth of a son to Nanda and his wife 2 Yashoda and also the same boon to Devaki, wife of Vasudeva. Placed in a dilemma, since both were His disciples, He ensured that Krishna, an incarnation of Vishnu, was born to Devaki and Vasudeva but was fostered by Yashoda and Nand. There is temple of Gopal, a form of Krishna, here. The Gopal Temple is located in the center of Nand Prayag and is devoted to the Lord Krishna. This old temple captures the spirit of the region's religious past in its ornate architecture and sculptures, creating an atmosphere of serenity and devotion. The sanctuary of the temple is a peaceful place for worship and introspection, with a splash of cultural richness provided by the bright colors and exquisite embellishments. In relation to Nand Prayag, a story or mystery is associated with “Chandika Mandir”. It is said that the statue of the Goddess was floating in the Alaknanda River and showed an ancestor of the present priest in his dream. Meanwhile some shepherds hid the statue in the river bank of the river. When they did not return home by the evening, the people searched for them for a long time. And when the idol was found, they were found unconscious in front of that statue and according to another dream, the priest was ordered to keep the “Suryantra” with the idol. Pilgrims also explore ancient temples in Nand Prayag, most notably the Raj Rajeshwari Temple, dedicated to Goddess Raj Rajeshwari. Chandika temple is another temple dedicated to Chandika Devi, a village Goddess of seven villages, including Nand Prayag. The statue of silver set in the sanctum is impressive and is naturally a source of great devotion. Other temples of the complex are dedicated to Lord Shiva, Bhairav, Hanuman, Ganesh and Bhoomiyal. The town of Nand Prayag is a great place to get a taste of the rich cultural heritage of the Garhwal area. The local culture is deeply rooted in Hindu traditions and customs. Nand Prayag comes to life during the many festivals and fairs that honor the area's rich history and traditions. The Nanda Devi Raj Jat Yatra is a noteworthy event that draws devotees and visitors alike and only occurs once every twelve years. The Yatra is a ritualistic parade to the Nanda Devi Temple that celebrates the region's rich customs and rituals. The town celebrates various festivals with great enthusiasm, including Navratri, Diwali, and Makar Sankranti. During these festivals, the temples and ghats (riverbanks) are beautifully adorned, and devotional activities are organized. May through June and September through October are the best months to visit Nand Prayag. The weather is mild; the roads are open, and one can see the confluence of the Alaknanda and Nandakini rivers during these months. The post-monsoon season at Nand Prayag is ideal for spiritual practice because of the bright sky, mild temperatures, and quiet atmosphere. The scenic grandeur of the area makes this intersection an even more compelling pilgrimage site. COMPILED By : CHAMAN LAL GADOO

VISHNU PRAYAG

Vishnu Prayag – Confluence of Vishnu Ganga and Dhauliganga River Vishnu Prayag is one of the five sacred confluences (Panch Prayag) of the Alaknanda River in the "Deva Bhumi" (God's land) as Uttarakhand is commonly known. The confluence lies in a deep, dramatic gorge on the road between Joshimath and Badrinath, marked by an octagonal temple and turbulent grey-green waters that crash together far below the highway. It is the highest of the Prayags on the Alaknanda's descent. It is also deduced that the Panch Prayag located on the road to Badrinath refer to the Svargarohana (ascend to heaven) route followed by the Pandavas to attain salvation after they completed circumambulation of the earth. The Prayags are rich not only with stories from Puranas and legend but also in scenic beauty of the Himalayan snow-covered peaks and enchanting valleys. The confluence at Vishnu Prayag occurs where two rivers merge to form the Alaknanda River. These two rivers are the Dhauliganga River and the Vishnu Ganga River. The Dhauliganga originates from the Niti Pass, while the Vishnu Ganga originates from the eastern slopes of Mana Peak. It lies at an altitude of around 1,372 meters (4,501 feet) above sea level and is surrounded by the majestic Himalayan Mountains, making it a picturesque and serene location. Also, the site is protected by the two high peaks, Jaya and Vijaya, named after the well-known gatekeepers of Vaikuntha (abode of Lord Vishnu). The river flows between these two peaks, offering scenic and serene views. Vishnu Prayag is a significant pilgrimage site for Hindus and holds great religious importance. The place is dedicated to Lord Vishnu and is also mentioned in many old Hindu holy books. The name "Vishnu Prayag" is derived from the combination of two words - "Vishnu," referring to Lord Vishnu, one of the principal deities in Hinduism, and "Prayag," which means confluence in Sanskrit. Also, Prayag in Hindu tradition signifies confluence of two or more rivers where ablutions (bathing) before worship, religious rites called the Shradha (the last rites) for the departed and worship of the river itself as manifestation of God/Goddess are a prevalent practice. According to Hindu scriptures, the confluence of these rivers is considered to be a place of worship and devotion. The serene surroundings and the spiritual atmosphere make it an ideal place for meditation and introspection. It is believed that taking a dip in the holy waters at Vishnu Prayag can cleanse one's sins and lead to spiritual purification. The pilgrims also offer prayers and perform religious rituals at the confluence to seek the blessings of Lord Vishnu. This is a spiritual and breathtaking place, not just a destination but also a meeting point of faith, devotion, and divinity, which symbolize the divine bond between nature, humans, and the eternal power. According to local legends and ancient scriptures, it is the very spot where the great Sage Narada performed deep penance to seek the divine grace of Lord 2 Vishnu (Preserver) in his original form. Narada Muni chanted the mantra “Om Narayana Namonamahaya” for thousands of years at this sacred site. Pleased by his devotion, Lord Vishnu appeared before him and blessed him. It is also believed, that Lord Vishnu once meditated at this pristine confluence, sanctifying the land with his divine presence. Vishnu Prayag is deeply revered by Hindus, and it is believed to be a sacred place where one can attain spiritual blessings and liberation. Another layer of meaning in the legends associates Vishnu Prayag with the stories of devoted women from ancient times who sought the blessings of Lord Vishnu for the well-being of their families and communities. Women in these stories often undertook pilgrimages to the confluence, offering prayers and performing rituals with deep faith, believing that the energies of the meeting rivers would grant them strength, prosperity and spiritual merit. Their devotion and the miraculous experiences they reported at Vishnu Prayag contributed to the cultural memory and reverence of the site. After this incident, the location known as Vishnu Prayag, and the Vishnu Prayag Temple dedicated to Lord Vishnu, was later built here. The site's historical importance is further accentuated by the presence of ancient other temples and shrines that stand as silent witnesses to the passage of time. The construction of Vishnu Temple near the Vishnu Prayag is by the Maharani of Indore, Ahalyabai. Further, the royal highness constructed this temple of the octagonal structure near the holy confluence back in 1889 AD. Formerly built for the installation of a Shiva Linga, it now has an idol of Lord Vishnu. A path of stairs in the temple leads to Vishnu Kund. The water of the holy confluence pours in the Vishnu Kund. Many devotees and pilgrims visit Vishnu Prayag throughout the year, especially during the months of May to October when the weather is more favorable. The pilgrims also offer prayers and perform religious rituals at the confluence to seek the blessings of Lord Vishnu. Also, devotees in large number have pilgrimage to Vishnu Prayag during special Hindu festivals like Makar Sankranti, Basant Panchami, Ram Navami, and Uttarayani. In essence, Vishnu Prayag is more than just a confluence of rivers; it is a sanctuary of history, myth, and nature's majesty. The confluence has inspired countless stories, rituals and pilgrimages, reinforcing a sense of belonging and continuity for the Hindus. As pilgrims stand in awe of its beauty and grandeur, feel a profound sense of connection to something greater than themselves – a timeless legacy that transcends the boundaries of space and time. COMPILED By : CHAMAN LAL GADOO VIDYA GAURI GADOO RESEARCH CENTRE Email: cl.gadoo@gmail.com Blog: clgadoo.blogspot.com

PANCH PRAYAG

PANCH PRAYAG Panch Prayag (Pancha Prayaga) is an expression in Hindu religious ethos, specifically used to connote the five sacred river confluences in the Garhwal Himalayas of Uttarakhand (Dev Bhumi), where tributaries merge into the Alaknanda River. Prayag means confluence in Sanskrit language. The confluences represent the holy journey of the sacred waters that ultimately form the River Ganga. Traditionally, the Panch Prayag are counted along the course of the Alakananda—starting from the snows beyond Badrinath in the north and ending with the southernmost at Dev Prayag. In descending order of river flow, these five confluences of spirituality, are Vishnu Prayag, Nanda Prayag, Karn Prayag, Rudra Prayag, and Dev Prayag. Geographically, these are Sangams – confluences – where four major rivers of Uttarakhand meet River Alakananda on its journey down from the snows of Satopanth Glacier. And at the fifth Prayag, Devprayag, Alakananda merges with Bhagirathi. Their combined stream then takes the identity of holy River Ganga, the lifeline of our country. This is where Ganga is born. These places are not just river crossings; they hold deep spiritual value in Hinduism. It is believed that taking a dip at these confluences can wash away sins and help a person move closer to moksha, or spiritual freedom. According to Hindu scriptures, when Goddess Ganga came down to Earth, her flow was so strong that it could have destroyed everything. To control her force, Lord Shiva caught her in His matted hair and gently released her through different streams. These streams formed several sacred rivers, and five of them meet the Alaknanda River at different places in Uttarakhand. These meeting points—where rivers like Bhagirathi, Mandakini, Pindar, Nandakini, and Dholi Ganga merge with the Alaknanda—are known as the Prayag (Sangam). Each confluence is considered holy and is an important stop on the spiritual journey called the Panch Prayag Yatra. The history of Panch Prayag is related to the origin and formation of the Ganga. According to a legend, King Bhagiratha made penances to please Lord Brahma and was impressed by his devotion. Therefore, he urged Brahma to send the Goddess Ganga to earth. He desired for the Ganga River to run over his forefathers’ ashes in order to pay reparation for their sins, purify their souls, and grant them heaven. Goddess Ganga had a powerful force when she descended to Earth. As per legend, Ganga had been divided into 12 channels to reduce her power and that these channels eventually reunited to form the River Ganga again at Dev Prayag. At this point, the rivers Alaknanda and Bhagirathi converge. The rivers meeting points; ● Bhagirathi meeting Alakananda at Dev Prayag ● Alakananda joining Mandakini at Rudra Prayag ● Alakananda meeting Pinder Ganga at Karn Prayag ● Alakananda flowing into Mandakini at Nanda Prayag ● Alakananda converging with Dholi Ganga at Vishnu Prayag 2 The Panch Prayag, Panch Badri and Panch Kedar are situated in Uttarakhand; with every place have its own importance in Hindu religion. These places are one of the famous spiritual destinations in Dev Bhumi. The confluence of Alaknanda, Mandakini, Dholi Ganga, Nandakini, Pindar, and Bhagirathi rivers is called Panch Prayag has been an essential part of Hindu religion. All these rivers originate in the Himalayas and meet at different points, forming five confluences considered particularly sacred in Hinduism. Panch Prayag reflects devotion of Hindus towards rivers, where hundreds of devotees’ dip to atone for their sins. Each Prayag is believed to be a divine meeting point where the rivers merge, purifying the soul and preparing devotees for their onward pilgrimage. The last rites for the departed relatives or loved ones are also performed at theses sacred. Starting from the top, the Alakananda or the Vishnu Ganga River arising from the Satopanth Glacier meets with the Dholi Ganga River near Badrinath to form the Vishnu Prayag. The mighty stream then converges with the Mandakini River to form the Nanda Prayag, named after King Nanda who conducted the divine ritual pyre here. Downstream, the Alakananda River is joined in by the Pindar River to create the Karn Prayag confluence, coined because Karn performed his Sun meditation here. The Rudra Prayag is however, the most aesthetic. The green Mandakini River from Kedarnath tributes to the main Alakananda River. It is at this confluence that Lord Shiva performed his cataclysmic dance on Sati’s demise. Further down the slope, near the foothills of the Garhwali Himalayas, lies the most pious confluence of all – the Dev Prayag. Here the gentle and massive Alakananda River converges with the roaring and swift Bhagirathi River, originating from Gomukh Glacier, to give birth to the holy Ganga River. Each of the mergers takes place in the most alluring and soothing spots of nature. According to the Puranas, the heavenly Ganga flows from Vishnu's toe. Ganga is supposed to be the daughter of the Himalayas and the Goddess Mena. Ganga sometimes assumed a human form. In one such appearance, she married King Shantanu and was the mother of Bhishma, of Mahabharata fame. According to ancient scriptures like the Skanda Purana, these confluences hold immense spiritual power for purification and liberation. ‘Prayag’ means confluence of two or more rivers where ablutions (bathing) before worship, ancestral rites called the Shradha (the last rites) for the departed and worship of the river itself as manifestation of Goddess is a prevalent practice. The meeting points of revered streams of Ganga are worshipped by the devotees. Bathing at the points of confluences is considered as a religious cleansing and is also considered auspicious before visiting major holy shrines. According to the Agni Purana and Padma Purana, the Ganga descended to the earth on Ganga Dussehra Day and a bath in the holy river on this day is said to purify one of all sins. To die on the banks of the Ganga is considered most auspicious. If that is not possible, then the immersion of the ashes after 3 cremation in the river Ganga is a must, as it then releases one from the cycles of birth and re-birth. Skanda Purana: This ancient text exalts the Prayags, particularly Dev Prayag (where the Bhagirathi and Alaknanda meet), as a site where heaven and earth converge. The Purana states that merely remembering or naming Dev Prayag washes away sins. Bathing at these confluences or touching their soil is said to absolve even grave sins and grant the spiritual merit of great sacrifices. Devas and Sages: Scriptures describe these spots as places of deep penance. Devprayag, for example, is where Lord Rama is believed to have performed penance to atone for defeating Ravana. It is also the site where Lord Vishnu granted ultimate liberation (sayujya-mukti) to the sage Deva Sharma. The Path of Salvation: Other ancient scriptures associate the Panch Prayag route with the Svargarohana—the final ascension to heaven taken by the Pandavas in the Mahabharata. Traversing these confluences is believed to cleanse the mind, body, and soul, preparing a seeker for spiritual awakening and liberation (Moksha). Vishnu Prayag – is the holy confluence of Alaknanda and Dholi Ganga rivers. In spiritual philosophy, this is the place where the divine Narad had meditated and received the blessings of Lord Vishnu. Nand Prayag – is where the Alaknanda and Nandakini rivers meet. Nand Prayag honors the pious King Nanda, who performed a 'Yagya' and gave donations to the Brahmins to win the love and blessings of God. It is also the home to the famous Gopal ji temple. Karn Prayag – is at the confluence of the Alaknanda and Pindar Rivers. It is said that Karn of Mahabharata meditated here for many years to acquire the impregnable shield, which made him a formidable warrior in the battlefield. Swami Vivekananda meditated here for eighteen days with his Guru Bhai, Guru Turianand and Akharanand. Rudra Prayag – is where the Alaknanda and Mandakini rivers meet. It is said that Lord Shiva performed his famous Tandav Nritya and played his Rudra-Veena here. With his Raga-Raganis he compelled Lord Vishnu to appear in front of him and with music of his veena, he turned Lord Vishnu to water. Rudra Prayag is named after Lord Shiva (Rudra). Dev Prayag – is famous for the confluence of two holy rivers, the Bhagirathi and Alaknanda. Here the two rivers meet to form the holy River Ganga. It is believed that Lord Rama came here for penance after having killed Ravana. The temple of Raghunath, houses a tall image of Lord Rama made of black granite. The Ram Temple is known as Raghunath temple. This is the first Prayag on the way to Badrinath. On the occasion of major Indian festivals such as Makara Sankranthi, Uttarayan and Basanth Panchami a large number of devotees are seen taking holy baths in the Panch Prayag. (Excerpts from the book- ‘Ganga Tirthas’ compiled by C. L. Gadoo)

Tuesday, April 7, 2026

MY REMINISCENCE-19 Continued: AN UNFORGETABLE TRIP TO PASHUPATINATH

Pashupatinath Temple: Pashupatinath Temple is a revered Hindu temple dedicated to Pashupati, a manifestation of Shiva. Located on the banks of the sacred Bagmati River in Kathmandu, the temple is one of the oldest and most significant religious complexes in Nepal. Pashupathinath is the guardian spirit and the holiest of all Shiva shrines in Nepal. Lord Shiva is known by many different names; and Pashupati is one. Pashu means animal beings, and Pati means master. In other words Pashupati is the master of all living beings of the universe. This is how lord Pashupati is eulogized in the Vedas, Upanishads and in other religious books. According to Nepal Mahatmaya and Himvatkhanda, the deity gained great fame as Pashupati, the Lord of all Pashus, which are living as well as non-living beings in Nepal. Pashupatinath Temple is the oldest Hindu temple in Kathmandu, Nepal. The magnificent temple of Lord Pashupatinath about 5 kms north-east of Kathmandu, is situated amidst many other temples on the right bank of the River Baghmati. Pashupatinath Temple is not known for certain when Pashupatinath was founded. Tradition says it was constructed by Pashupreksha of the Somadeva Dynasty in the 3rd century BC, but the first historical records date from the 13th 1 century. The ascetic Pashupata sect was likely related to its foundation. Pashupati was a tutelary deity of the ancient rulers of the Kathmandu Valley. In 605 AD, Amshuvarman is considered to have built the shrine. By the later middle Ages, many imitations of the temple had been built, such as in Bhaktapur (1480), Lalitpur (1566) and Benares (early 19th century). The original Pashupatinath temple was destroyed several times until it was given its present form under King Bhupalendra Malla in 1697AD. The earliest reference to the Pashupatinath Temple can be found in ancient Hindu texts, such as the Puranas and the Mahabharata. These texts mention a sacred site known as ‘Pashupati,’ which was revered as the abode of Lord Shiva. It is widely believed that the original temple structure was constructed during the reign of King Jayadeva I in the 4th century AD. The Malla dynasty, which ruled Nepal from the 12th to the 18th century, left an indelible mark on the Pashupatinath Temple complex. During their reign, they not only expanded the temple but also added numerous smaller shrines, courtyards, and ghats (steps leading to the river) to the premises. One of the most notable additions was the ‘Pandra Shivalaya,’ a collection of 15 shrines dedicated to various forms of Lord Shiva. Each of these shrines featured intricate artwork and carvings, showcasing the remarkable craftsmanship of the time. The Mallas’ patronage of the temple contributed significantly to its grandeur and popularity. During the rule of King Prithvi Narayan Shah, who founded the Kingdom of Nepal in 1768, the temple underwent another major renovation. King Prithvi Narayan Shah is credited with building the current two-tiered pagoda-style temple that stands as the central focus of the complex. This temple, with its distinctive architecture and ornate carvings, exemplifies the traditional Newar architectural style prevalent in the Kathmandu Valley. I along with my wife went on a pilgrimage to one of holiest Shiva Dham in Nepal. On our arrival early in morning next day we hired a cab and reached revered Pashupatinath temple complex. This is a huge complex of small temples. We went straight to main temple, had Darshan of Shivalinga and prayed to Lord Shiva, the ultimate refuge! After that we went around the temple complex. A great spiritual experience! Before we returned we went to Indian dhaba for some refreshments. Unaware of the fact that I had lost my purse in the temple complex itself, awkward situation aroused as to how to foot the bill. I searched my pockets again and again but of no avail. Lord Shiva came to our rescue. My wife never used to put any money tied in her saree polu, but this time we found some money there. In the meantime dhaba walla came to collect his dues. I politely told him we have Indian currency with us. He readily said we accept that. What a great relief! Chaman Lal Gadoo