KASHMIR IN MY HEART
Its about the plight of my kashmir...my motherland
About Me
- c.l.gadoo
- Ghaziabad, Uttar Pradesh, India
- Pandit Chaman Lal Gadoo Co-Chairman, JOINT HUMAN RIGHTS COMMITTEE Chairman, VIDYA GAURI GADOO RESEARCH CENTRE Email: cl.gadoo@gmail.com Blog: clgadoo.blogspot.com
Tuesday, April 7, 2026
MY REMINISCENCE-19 Continued: AN UNFORGETABLE TRIP TO PASHUPATINATH
Pashupatinath Temple:
Pashupatinath Temple is a revered Hindu temple dedicated to Pashupati, a manifestation of Shiva. Located on the banks of the sacred Bagmati River in Kathmandu, the temple is one of the oldest and most significant religious complexes in Nepal.
Pashupathinath is the guardian spirit and the holiest of all Shiva shrines in Nepal. Lord Shiva is known by many different names; and Pashupati is one. Pashu means animal beings, and Pati means master. In other words Pashupati is the master of all living beings of the universe. This is how lord Pashupati is eulogized in the Vedas, Upanishads and in other religious books. According to Nepal Mahatmaya and Himvatkhanda, the deity gained great fame as Pashupati, the Lord of all Pashus, which are living as well as non-living beings in Nepal.
Pashupatinath Temple is the oldest Hindu temple in Kathmandu, Nepal. The magnificent temple of Lord Pashupatinath about 5 kms north-east of Kathmandu, is situated amidst many other temples on the right bank of the River Baghmati. Pashupatinath Temple is not known for certain when Pashupatinath was founded. Tradition says it was constructed by Pashupreksha of the Somadeva Dynasty in the 3rd century BC, but the first historical records date from the 13th
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century. The ascetic Pashupata sect was likely related to its foundation. Pashupati was a tutelary deity of the ancient rulers of the Kathmandu Valley. In 605 AD, Amshuvarman is considered to have built the shrine. By the later middle Ages, many imitations of the temple had been built, such as in Bhaktapur (1480), Lalitpur (1566) and Benares (early 19th century). The original Pashupatinath temple was destroyed several times until it was given its present form under King Bhupalendra Malla in 1697AD.
The earliest reference to the Pashupatinath Temple can be found in ancient Hindu texts, such as the Puranas and the Mahabharata. These texts mention a sacred site known as ‘Pashupati,’ which was revered as the abode of Lord Shiva. It is widely believed that the original temple structure was constructed during the reign of King Jayadeva I in the 4th century AD.
The Malla dynasty, which ruled Nepal from the 12th to the 18th century, left an indelible mark on the Pashupatinath Temple complex. During their reign, they not only expanded the temple but also added numerous smaller shrines, courtyards, and ghats (steps leading to the river) to the premises. One of the most notable additions was the ‘Pandra Shivalaya,’ a collection of 15 shrines dedicated to various forms of Lord Shiva. Each of these shrines featured intricate artwork and carvings, showcasing the remarkable craftsmanship of the time. The Mallas’ patronage of the temple contributed significantly to its grandeur and popularity.
During the rule of King Prithvi Narayan Shah, who founded the Kingdom of Nepal in 1768, the temple underwent another major renovation. King Prithvi Narayan Shah is credited with building the current two-tiered pagoda-style temple that stands as the central focus of the complex. This temple, with its distinctive architecture and ornate carvings, exemplifies the traditional Newar architectural style prevalent in the Kathmandu Valley.
I along with my wife went on a pilgrimage to one of holiest Shiva Dham in Nepal. On our arrival early in morning next day we hired a cab and reached revered Pashupatinath temple complex. This is a huge complex of small temples. We went straight to main temple, had Darshan of Shivalinga and prayed to Lord Shiva, the ultimate refuge! After that we went around the temple complex. A great spiritual experience!
Before we returned we went to Indian dhaba for some refreshments. Unaware of the fact that I had lost my purse in the temple complex itself, awkward situation aroused as to how to foot the bill. I searched my pockets again and again but of no avail. Lord Shiva came to our rescue. My wife never used to put any money tied in her saree polu, but this time we found some money there. In the meantime dhaba walla came to collect his dues. I politely told him we have Indian currency with us. He readily said we accept that. What a great relief!
Chaman Lal Gadoo
Monday, April 6, 2026
MY REMINISCENCE-18 Continued: A NARROW ESCAPE DURING AMARNATH YATRA
Amarnath Yatra:
I had rare occasion of having Darshan of holy natural Shivling at cave temple of Amarnath several times, but my visit during 1969 along with my respected father, younger brother and maternal uncle is still fresh in my memory. By the grace of Lord Shiva we had crossed Pisu top when a cloud burst occurred there and many pilgrims lost their lives. A real disaster took place and there was panic all-around. We were at safer place but worried feeling helpless. All of us were praying Lord Shiva for safety and welfare of all pilgrims. Aum Namah Shiva!
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The holy cave is 50’ long 25’ wide and 15’ high approximately. The cave is nature’s temple where ‘Ice Lingam’ is completely filling the right corner of the cave, the top of the Lingam touches the base of the cave. The base of the cave is also covered with ice, like a carpet. Here Shiva is worshipped by nature in the purest way. Shiva is snow-white and pure. Lingam is formed by drops of water falling from the top of the cave and two other small ‘Ice Lingams,’ are also formed, believed to be the symbols of Parvati and Ganesha. The dripping that followed from the feet of ‘Ice Lingam’ or ‘Shiva Lingam’ took form of a stream known as Amuravati. Bhrngish Samhita adds; “a person who bathes in the waters of Amuravati and rubs himself with the ashes gets Moksha”.
Swami Vivekananda wrote about Shiva of Amarnath; For whom all gloom and darkness have dispersed , That radiant light, white beautiful,
As bloom of lotus white is beautiful,
Whose laughter loud sheds Knowledge luminous!
Someone asked Swami Vivekananda, “Why have we so many Gods and Goddesses?” He promptly replied, “Because we have Himalaya.” The music of the Himalayan streams brought divine feelings to the Seers. The rushing streams fall like thunder with the sound of Vyom, Vyom on the rocks and the flow out in frightening speed with the sound Hara, Hara.
“May my luminous love fasten firm to Him, to Shiva, In whom arise visions of glories immeasurable!
May my luminous love cling to Him, who is utterly pure, like the sky, Who is Lord of all, having no lord over Himself!
May my luminous devotion be attached to Him, By whom all delusion is destroyed,
In whom Lordship is forever existent!” (Hymn to Shiva, by Swami Vivekananda) “The pilgrimage of thousands of devotees to the far-away Cave of
Amarnath, nestled in a glacial gorge of the Western Himalayas, through some of the most charming scenery in the world, is fascinating in the extreme. One is struck with wonder at the quiet and orderly way in which a canvas town springs up with incredible rapidity at every halting-place, with its tents of various colours and of all shapes and sizes, with its Bazaars, and broad streets running through the middle, and all vanishing as quickly at the break of dawn when the whole army of gay pilgrims set out on the march again. The glow of countless cooking-fires, the ashen-smeared Sadhus under the canopy of their large Gerua umbrellas stuck in the ground, sitting and discussing or meditating before their Dhunis, the Sanyasins of all orders in their various garbs, the men and women with children, from all parts of the country in their characteristic costumes, and their devout faces, the torches
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shimmering at nightfall, the blowing of conch-shells and horns, the singing of hymns and prayers in chorus—all these are most impressive, and convey to some extent an idea of the overmastering passion of the race for religion”….
“On August 2, 1898 the day of Amarnath itself, the pilgrims after making a steep climb, and then a descent in which one false step would have meant instant death, walked along the glacier mile after mile till they reached a flowing stream, in which they bathed before entering the cave which was reached after another stiff ascent. The Swami, who had fallen behind, perhaps intentionally, so as to be alone with his thoughts, came up and sent his waiting disciple on and bathed in the river. He then reached the cave, his whole frame shaking with emotion. The cave itself was “large enough to hold a cathedral, and the great ice-Shiva, in a niche of deepest shadow, seemed as if thronged on its own base”. Then, his body covered with ashes, his face aflame with supreme devotion to Shiva, he entered the shrine itself, nude, except for a loin-cloth; and kneeling in adoration he bowed low before the Lord. A song of praise from a hundred throats resounded in the cave, and the shining purity of the great ice-Linga overpowered him. He almost swooned with emotion. A great mystical experience came to him, of which he never spoke, beyond saying that Shiva Himself had appeared before him and that he had been granted the grace of Amarnath, the Lord of Immortality, not to die until he himself should choose to throw off his mortal bonds, corroboration of the words of his Divine Master regarding him: “When he realizes who and what he is, he will no longer remain in the body!” Also it might be that, in his wrestling with the soul to keep itself from merging in the Absolute, “was defeated or fulfilled that presentiment which had haunted him from childhood that he would meet with death in a Shiva-temple amongst the mountains.” Indeed, so intense had been the shock of his mystical experience upon his physical frame that later on a doctor said, “Swami Ji, it was almost death! Your heart ought naturally to have stopped beating. It has undergone a permanent enlargement instead.”
Never had the Swami Ji visited a religious place with such spiritual exaltation. To his European disciple he said afterwards, ‘The image was the Lord Himself. It was all worship there. I never have been to anything so beautiful, so inspiring! So saturated had his personality become with the Presence of that God that for days thereafter he could speak of nothing but Shiva. Shiva was all in all; Shiva, the Eternal One, the Great Monk, rapt in meditation, aloof from all worldliness. (Source: Swami Vivekananda in Kashmir)
Chaman Lal Gadoo
MY REMINISCENCE-17 Continued: A MEMORABLE VISIT TO A SHAKTI PEETH
Shakambhari Devi;
Hinduism is the only religion where Divine feminine, is worshipped as Shakti. Hindus worship many forms of Bhavani for peace, prosperity and enlightment. Mata Shakumbhari Devi is a revered Goddess in Hinduism, celebrated for being associated with nourishment, abundance, and harvest. She is depicted as a manifestation of the adorned with fruits, vegetables, and grains, symbolizing the source of sustenance for all living beings. The name "Shakambari" translates to "carrier of vegetables", highlighting Her role as a provider of agricultural abundance. Devotees believe that Goddess Shakambari brings fertility to the land, ensuring a bountiful harvest. Her worship is especially emphasized during Shakambari Navratri, begins on Paush Shukla Ashtami and ends on Paush Purnima, a festival dedicated to honoring Her divine presence. During this time, devotees express gratitude for the harvest and seek blessings from the Goddess for continued prosperity and abundance!
Shakti Peeth Shakambari Devi Temple is a Maha Shaktipeeth located in the Saharanpur district of Uttar Pradesh. Like Kamakhya, Rajrappa Peeth, Tarapeeth, and Vindhyachal Peeth, this is also a Siddha Peeth because the idol of the mother here is self-grown, which is found only in rare areas, in Kedarkhand. In many Puranas and Aagam texts, this Peeth is known by the names Param Peeth, Shaktipeeth and Sidhpeeth. This area is the proven place of Bhagwati Shatakshi. This very rare pilgrimage area is called Panchkoshi Siddha Peeth. The head of Bhagwati Sati had fallen in this area hence it is counted among the famous Shakti Peethas of the Goddess.
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Long back, one of my friends narrated the greatness of Shakambari Devi Siddha Peeth. My wife was an ardent devotee of Bhavani. We decided to have the Dharshan of the great Goddess. Those days roads and transport system was not up to the mark as we have today. Anyway we reached to holy place in the evening. There are many small temples and dharmshallas around the hillock but we got the accommodation in the main temple itself. The whole night we participated in Satsang. Early morning we had Snan and changed our clothes with fresh ones. We spent good time in reading Shri Durga Saptashati, conducted our Puja and other rituals according to Kashmiri Puja-Padhati, at the pious Shakti Peeth temple, which is still fresh in my memory!
According to Devi Purana, Shiva Purana and other religious texts, there was a Mahadaitya Ruru in the lineage of Hiranyaksha. Ruru had a son named Durgamasur who did the penance of Lord Brahma and subjugated the four Vedas. With the absence of the Vedas, all the religious activities disappeared. There was an all-out outcry. Brahmins becoming devoid of religion, the rituals of sacrifice were stopped and the power of the deities also began to diminish. Due to the lack of water, the vegetation also dried up and all the creatures started dying due to hunger and thirst.
The legend behind the temple's origin states that once upon a time, a terrible drought hit the region, and all crops and vegetation died due to lack of water. The area's people, primarily farmers, were left with no source of livelihood. To alleviate their suffering, they prayed to Goddess Durga, who appeared before them as Shakumbhari Devi.
Durgamasur had a fierce battle with the Gods in which they were defeated, so they hid in the Shivalik ranges and started meditating, chanting, worshiping and praising Mata Jagadamba. 'In this way, on the prayers of the Gods and Brahmins, Bhagwati Jagadamba, who is famous by the names of 'Bhuvaneshwari' and Maheshwari, appeared in person’. This idol of Her was compared to Kajjalagiri. The eyes were as if they were blue lotus. Lotus flowers adorned the Pallava and Moola hands. This form of Bhagwati Ionija, the source of complete beauty, was very admirable. This idol, shining like millions of suns, was an immense ocean of compassion. After presenting such a divine form, the compassionate heart of Bhavani, who was always ready to protect the world, started pouring thousands of streams of water on the earth from her infinite eyes. All Gods and Brahmins together started praising Goddess Bhagwati. On the praise of Jagadamba, Maa Parvati, who is famous by the names Maheshani, Bhuvaneshwari, appeared in the form of Ionija at the place of Saharanpur Shakti Peeth. Jagdamba was very sad to see the plight of the whole creation and tears started flowing from his eyes. All the rivers and ponds were filled with water by the stream of tears. At that time the deities worshiped the mother in the name of Shatakshi Devi.
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After that She took a beautiful form to woo Durgamasur and sat on the Shivalik hill. When the Asuras saw Jagadamba sitting on the hill, they came with the thought of catching her. Devi had a fierce battle with Durgamasur, in the end Durgamasur was killed at this place. Mother Jagdamba killed Durgamasur and other demons and blessed the devotee Bhuradev (a form of Bhairav) with immortality. There is a temple of Baba Bhuradev at the place.
The Goddess is believed to have transformed the entire region into fertile land with abundant crops and vegetation, hence the name "Shakumbhari," which means "the provider of vegetables." The temple was built in honour of the Goddess, and worshipping her is believed to bring prosperity and abundance.
The Shakti Peeth temple is in the midst of a dense forest, and the serene surroundings add to the spiritual aura of the place. The temple's architecture is a blend of Hindu styles, and the main idol of the Goddess is made of black stone stands at a height of six feet. This area, is full of natural beauty and green valley, fascinates the worshiper. Apart from its spiritual significance, Shakumbhari Devi Temple is also known for its historical and archaeological importance. The temple complex houses several ancient ruins, including the remains of a fort and a palace
that date back to the Gupta period.
The temple of Mata Shakambhari Devi disappeared after the Mahabharata period due to its location in dense forests. Once a local blind cowherd named Nain Gujar got lost in this forest. The night was also dark and the sounds of wild animals all around seemed frightening. Then Nain Gujar heard the divine and sweet voice of Goddess Shatakshi. When Nain Gujar asked who are you the voice came, “I am Shakambhari Devi in the form of Shakti”. Then the cowherd said if you are a form of Shakti then give me the light of my eyes. At that very moment, a light came and the cowherd gained his eyesight. Then the cowherd Nain Gujar found the place of Mata and cleaned it and this revered place of Mata came into existence again.
Around 350 BC, during the reign of Chandragupta, Acharya Chanakya and Chandragupta spent a lot of time in this Siddha Peeth and formed their army. At that time, Maa Shakambari Devi Shaktipeeth Srughan was the biggest pilgrimage site in the country where lakhs of devotees used to come every year to have Darshan of the Goddess.
The temple is especially popular among devotees during the Navratri festival. During this time, thousands of devotees from across the country thronged to the temple to seek the blessings of the Goddess.
JAI HO MATA BHAVANI!
Chaman Lal Gadoo
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